Anderson Island Films

Agfa Aviphot aerial film, loaded into my Fuji GS645 and souped in Rodinal 1:100.
This is Koūn 125—the one I keep in the shop.
On a 645 rangefinder it stretches into something almost square, sprockets and all.
A little imperfect, a little strange.
Not for everyone.
But it feels like home to me.

Psychedelic coffee dreams.
Born from Kodak Vision 500T, a mist of 70% isopropyl, bad bleach, and a touch of accidental horror.

These frames feel less like photos and more like portals—little ruptures into something sideways.

Shot on a Lomo MC-A in downtown Georgetown, TX.
This strip comes from a short end of The New Guy (early 2000s, San Marcos, TX)—a forgotten reel finding light again.

Grateful to the film gods to give it a second life.

Imagine a film so slow it turns midday into long exposure territory.

This is Solstice .8 — a rebadged Eastman 2242 intermediate stock.
Built for duplication, not reality.

Shot wide open in full sun. Highlights compress, colors drift cool, shadows stay quiet.

Rated at ISO 6 (+3 over its native .8).
Developed ECN-2 or C41 — no remjet, no pre-bath.

Not practical. Not forgiving.
But when it hits… it really hits.

Small batches available: http://bit.ly/41lf2Fu