Eleanor
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01/13/2026
Femi Ladi’s "Canvas" explores the artistry of tattoos through the lens of boxer Viddal Riley’s personal journey.
For Riley, the body is more than muscle and movement. It’s a living canvas.
Each tattoo etched into his skin carries deep personal symbolism, turning ink into identity.
As the documentary unfolds, these markings become threads in the tapestry of Riley’s story, revealing not just the fighter, but the man beneath the gloves.
12/05/2025
Hello Darling,
Today, ELEANOR turns six.
What started in my little Miracle Mile apartment, right after losing my job, with nothing but a laptop, my industry connections, and a very stubborn belief that I could build something different, has become the most meaningful chapter of my life.
These six years have held everything: the uncertainty of starting from scratch, the joy of winning our first pieces of business, the late nights, the problem-solving, the pivots, the growth, and the countless moments that reminded me why I chose this path in the first place.
I’m deeply proud of what this team has built. In just six years, Eleanor has been named Ad Age’s Production Company to Watch, returned to the Ad Age A-List as a Standout, and was honored as The Gerety Awards’s 2025 Production Company of the Year. But even more important than the accolades is the consistency, the craft, and the heart behind them.
None of this would have been possible without my family. My husband Brian: steady, grounded, endlessly supportive. And my two brilliant daughters, are the reason I show up with ambition, resilience, and hope, even on the hardest days. They are the “why” behind the work.
To every director, producer, client, freelancer, rep, and friend who has believed in us, you’ve shaped this company as much as I have. Thank you for your trust, your collaboration, your honesty, and your willingness to build with us.
Eleanor started as a leap of faith. Today, she’s a company I’m deeply proud of, a team I admire, and a future I’m excited to keep building.
Here’s to chapter seven. We’re just getting started.
All my love,
Sophie Gold
Zee Ntuli’s empowering anthem for ActionAid subverts traditional wedding imagery in a rebelliously joyful way, ignited by powerful performances and moving to a layered and resonant soundscape.
Leveraging surreal imagery to capture profound human emotion, Ntuli’s visual poem utilizes the natural world to elevate the young girls’ childlike wonder and electric sense of agency.
Blinding white heels gleefully messied by playing in mud, the hug of emerald foliage, students chirping as birds, with contagious happiness–he is intentional in what each filmic vignette tells us.
In a visual language rich with symbolism, metaphor, and lyrical sensory imagery to the deep and powerful message, “I’ll Marry When I Want” is a visual poem that honors the real words of 13-year-old poet Eileen Piri.
Lunar rotation. The revolution of a clock. A spinning camera. Ntuli’s poetic spot for Audemars Piguet never stops moving. Honoring centuries of chronometry, this visual epic circles like a sundial, like a clock, like a planet.
An ode to the rhythm of the universe, Zee Ntuli’s “Quantième Perpétuel” celebrates the Audemars Piguet’s 150th birthday and the incredible centuries of timekeeping.
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1808 Stanford Street
Santa Monica, CA
90404
