Highonyoursupply

Sunset Sip and Paint 🌅✨!!

Join us June 16th 6pm-8 At Torch in Norfolk and let me lead you through this whimsical painting 😄!

Painters can follow along or flip the script and do your own thang 😎 super chill!

Make sure to bring an apron or wear clothes you don’t mind getting paint on. Arrive 30 mins early to find parking, grab drinks/food, and get settled 🤓 we will be working on 10”x10” canvas, materials provided!

Find the event page/sign up on Facebook or find the event link in my bio 😃!

Shoutout to and for helping make this happen!!

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Flashback to Wall St Mural Fest Demos 🐻✨!!

We completed these panels after demonstrating how one goes about transferring their art onto a wall 🤓 I couldn’t have done this without:

Corinna Sayward .elise
Amber Brown
Julia Schwalm

Started and finished at the Armie Navie Store check them out 😃!

Also shoutout to Support Portsmouth Public Art .va for making all these creative events happen 🤘🤩⚡️!!

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Unsung 😄!!

A group exhibition up at Zeke’s NFK for the month of May! Save the date for the opening 😃 Saturday May 23rd 6pm-8!

“I am an Instrument of Revenge for Many Women” 12in x 12in acrylic on canvas is the piece I submitted!

My painting draws on the figure of “Diana the Hunter,” a name adopted by an anonymous woman in Ciudad Juárez who, according to reports, killed bus drivers after an email claimed retaliation for years of unchecked sexual violence against women. The message specifically accused bus drivers on maquila routes of abusing female workers during late-night commutes, identifying them as symbols of a broader pattern of vulnerability, exploitation, and impunity.

In a city marked by the legacy of femicides and systemic failure, “Diana” emerges less as an individual and more as a projection of rage, grief, fear, and unmet justice. Like the mythic Diana, she is imagined as both protector and avenger, a symbol shaped as much by collective desperation as by fact. Her existence is uncertain; her impact is psychological. She exposes a reality in which institutions fail, victims are silenced, and justice becomes abstract, forcing communities to confront the unsettling appeal of vigilantism.

This work does not celebrate violence, but examines the conditions that make such a figure imaginable, even admirable. “Diana” becomes a mirror, reflecting a society where fear travels publicly, where bodies are vulnerable, and where the idea of justice is both deeply desired and dangerously out of reach.

Check out Blonde Avenger on the podcast This American Life for a deep dive 🤓!

I initially heard of her when listening to the song Jan 10th 2014 by The World is a Beautiful Place & I am No Longer Afraid to Die

Shoutout to the for putting on this traveling exhibition 🥰!!

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