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04/24/2026

Mark your Calendars ๐Ÿ“…

Join us Friday, May 1 from 6-9pm for a First Friday Reception celebrating the opening of ๐‘ฌ๐’™๐’Š๐’๐’† ๐’‚๐’” ๐‘ป๐’“๐’‚๐’๐’”๐’‡๐’๐’“๐’Ž๐’‚๐’•๐’Š๐’๐’: ๐‘ป๐’‰๐’† ๐‘ฉ๐’๐’…๐’š ๐’Š๐’ ๐‘ช๐’–๐’ƒ๐’‚๐’๐‘จ๐’ƒ๐’”๐’•๐’“๐’‚๐’„๐’•๐’Š๐’๐’ ๐’Š๐’ ๐’•๐’‰๐’† ๐‘พ๐’๐’“๐’Œ ๐’๐’‡ ๐‘ชรก๐’“๐’…๐’†๐’๐’‚๐’”, ๐‘ญ๐’†๐’“๐’รก๐’๐’…๐’†๐’› ๐’‚๐’๐’… ๐‘บ๐’๐’“๐’Š๐’‚๐’๐’ย and the launch of the corresponding digital catalogue with an essay by Dr. Alejandro Anreus, Ph.D.

This exhibition brings together three Cuban artistsโ€”๐—”๐—ด๐˜‚๐˜€๐˜รญ๐—ป ๐—–รก๐—ฟ๐—ฑ๐—ฒ๐—ป๐—ฎ๐˜€, ๐—”๐—ด๐˜‚๐˜€๐˜รญ๐—ป ๐—™๐—ฒ๐—ฟ๐—ปรก๐—ป๐—ฑ๐—ฒ๐˜‡,ย and ๐—ฅ๐—ฎ๐—ณ๐—ฎ๐—ฒ๐—น ๐—ฆ๐—ผ๐—ฟ๐—ถ๐—ฎ๐—ป๐—ผโ€”whose lives and practices were profoundly shaped by exile. Through sculpture and painting, the exhibition traces how exile reshaped their visual vocabulariesโ€”from Cรกrdenasโ€™ totemic forms, to Fernรกndezโ€™s charged, corporeal surfaces, to Sorianoโ€™s luminous, spiritual expanses.

Together, their works offer a powerful meditation on estrangement and resilience, revealing how the rupture of exile can give rise to new forms of emotive visual expression.

๏ปฟWe look forward to welcoming you!

๐Ÿ“ธ Top row, left to right: Agustรญn Cรกrdenas, Agustรญn Fernรกndez, and Rafael Soriano | Bottom row, left to right (details): โ€˜Quatro Fambaโ€™ (1973) by Agustรญn Cรกrdenas, bronze, 48 x 17 ยฝ x 16 inches | โ€˜Untitledโ€™ (1973) by Agustรญn Fernรกndez, graphite on paper, 22 ยพ x 17 ยผ inches | โ€˜Sortilegioโ€™ (1985) by Rafael Soriano, oil on canvas, 50x 50 inches.

Photos from LnS GALLERY's post 04/23/2026

Throwback Thursday but keepinโ€™ it recent! โณ

Congratulations to Alexandre Arrechea on his recently inaugurated sculpture, ๐‘ป๐’‚๐’Ž๐’‘๐’‚ ๐‘ป๐’‰๐’†๐’‚๐’•๐’“๐’† โ€“ a center piece to Herman Massey Park in Tampa, Florida that reopened to the public this past Tuesday, April 21.

True to the artistโ€™s practice, Arrechea gives a nod to the historic Tampa Theatre adjacent to the park, celebrating its centennial year. Incorporating aspects of weather and time of day, the artist invites us to contemplate how these minor, inevitable shifts affect our experiences both within, and as part of a community.

Bravo, Maestro! Special thanks to Melissa Davies and the City of Tampa for the opportunity, and the hospitality.

Visit ๐‘ป๐’‚๐’Ž๐’‘๐’‚ ๐‘ป๐’‰๐’†๐’‚๐’•๐’“๐’† now on view at Herman Massey Park, Tampa, FL.






๐Ÿ“ธ Courtesy City of Tampa

04/09/2026

๐•Š๐”ธ๐•๐”ผ ๐•ฅ๐•™๐•– ๐”ป๐”ธ๐•‹๐”ผย ๐Ÿ—“๏ธ
๐Œ๐Ž๐€๐ƒ ๐Œ๐š๐ค๐ž๐ฌ ๐ฐ๐ข๐ญ๐ก ๐‰๐ž๐ง๐ง๐ข๐Ÿ๐ž๐ซ ๐๐š๐ฌ๐ข๐ฅ๐ž

Join represented artist ๐‰๐ž๐ง๐ง๐ข๐Ÿ๐ž๐ซ ๐๐š๐ฌ๐ข๐ฅ๐žย as she collaborates with the Museum of Art and Design (MOAD, ) at MDC to host a collography workshop in conjunction with the institutionโ€™s current exhibition, Belkis Ayรณn and Carlos Alfonzo: Odyssey. Collography, a unique style of printmaking that differs from traditional relief, was the primary medium used by late artist Belkis Ayรณn. Elusive to many, Basile invites us to peel back the curtain.

A Manhasset native, Basile () lives and works in Miami, Florida, and brings over 20 years of experience as a painter, printmaker, and educator. Her practice, grounded in an ongoing engagement with the environment and the material language of printmaking, reflects a sensitivity to place, process, and transformation. In this workshop, Basile extends that approach to participants, guiding them through a tactile and meditative exploration of collography that emphasizes both experimentation and personal expression.

Space is limited! If you wish to attend please RSVP using the link in bio. ๐Ÿ”—

๐Œ๐Ž๐€๐ƒ ๐Œ๐š๐ค๐ž๐ฌ ๐ฐ๐ข๐ญ๐ก ๐‰๐ž๐ง๐ง๐ข๐Ÿ๐ž๐ซ ๐๐š๐ฌ๐ข๐ฅ๐ž
Saturday, April 18, 2026
11:00 AM โ€“ 1:00 PM

MDCโ€™s Kendall Campus
11011 SW 104th St, Miami, FL 33176
Building M, Room M325

CarlosAlfonzo

Photos from LnS GALLERY's post 03/13/2026

Weโ€™re proud to celebrate the inclusion of ๐“ช๐“ท๐“ญ ๐“ฝ๐“ฑ๐“ฎ ๐“ข๐“น๐“ฒ๐“ป๐“ฒ๐“ฝ ๐“ถ๐“ธ๐“ฟ๐“ฎ๐“ญ ๐“พ๐“น๐“ธ๐“ท ๐“ฝ๐“ฑ๐“ฎ ๐“ฏ๐“ช๐“ฌ๐“ฎ ๐“ธ๐“ฏ ๐“ฝ๐“ฑ๐“ฎ ๐”€๐“ช๐“ฝ๐“ฎ๐“ป๐“ผ (๐“š๐“ช๐“ต๐“พ๐“ท๐“ฐ๐“ช)ย by T. Eliott Mansa in ๐˜ˆ๐˜ฎรฉ๐˜ง๐˜ณ๐˜ช๐˜ค๐˜ข: ๐˜‹๐˜ช๐˜ข๐˜ด๐˜ฑ๐˜ฐ๐˜ณ๐˜ช๐˜ค ๐˜Š๐˜ฐ๐˜ฏ๐˜ฏ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜‘๐˜ฐ๐˜ณ๐˜จ๐˜ฆ ๐˜”. ๐˜—รฉ๐˜ณ๐˜ฆ๐˜ป, curated by Hรฉlio Menezes and on view at the Centro Andaluz de Arte Contemporรกneo in Seville. ๐ŸŒ€

Drawing on the concept of โ€œAmรฉfrica,โ€ articulated by Afro-Brazilian thinker Lรฉlia Gonzalez, the exhibition traces cultural, historical, and spiritual resonances that connect Africa and the Americas across the Atlantic. Mansaโ€™s work enters this powerful dialogue through its evocation of Kalungaโ€”the cosmic and ancestral waters that bind memory, migration, and diasporic identity.

On view February 27, 2026 - January 10, 2027.

ย 



๐Ÿ“ธ: installation views of ๐“ช๐“ท๐“ญ ๐“ฝ๐“ฑ๐“ฎ ๐“ข๐“น๐“ฒ๐“ป๐“ฒ๐“ฝ ๐“ถ๐“ธ๐“ฟ๐“ฎ๐“ญ ๐“พ๐“น๐“ธ๐“ท ๐“ฝ๐“ฑ๐“ฎ ๐“ฏ๐“ช๐“ฌ๐“ฎ ๐“ธ๐“ฏ ๐“ฝ๐“ฑ๐“ฎ ๐”€๐“ช๐“ฝ๐“ฎ๐“ป๐“ผ (๐“š๐“ช๐“ต๐“พ๐“ท๐“ฐ๐“ช)ย by T. Eliott Mansa in ๐˜ˆ๐˜ฎรฉ๐˜ง๐˜ณ๐˜ช๐˜ค๐˜ข: ๐˜‹๐˜ช๐˜ข๐˜ด๐˜ฑ๐˜ฐ๐˜ณ๐˜ช๐˜ค ๐˜Š๐˜ฐ๐˜ฏ๐˜ฏ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜‘๐˜ฐ๐˜ณ๐˜จ๐˜ฆ ๐˜”. ๐˜—รฉ๐˜ณ๐˜ฆ๐˜ป, courtesy of Centro Andaluz de Arte Contemporรกneo by Pepe Morรณn.

Photos from LnS GALLERY's post 03/13/2026

Weโ€™re proud to celebrate the inclusion of ๐“ช๐“ท๐“ญ ๐“ฝ๐“ฑ๐“ฎ ๐“ข๐“น๐“ฒ๐“ป๐“ฒ๐“ฝ ๐“ถ๐“ธ๐“ฟ๐“ฎ๐“ญ ๐“พ๐“น๐“ธ๐“ท ๐“ฝ๐“ฑ๐“ฎ ๐“ฏ๐“ช๐“ฌ๐“ฎ ๐“ธ๐“ฏ ๐“ฝ๐“ฑ๐“ฎ ๐”€๐“ช๐“ฝ๐“ฎ๐“ป๐“ผ (๐“š๐“ช๐“ต๐“พ๐“ท๐“ฐ๐“ช)ย by T. Eliott Mansa in ๐˜ˆ๐˜ฎรฉ๐˜ง๐˜ณ๐˜ช๐˜ค๐˜ข: ๐˜‹๐˜ช๐˜ข๐˜ด๐˜ฑ๐˜ฐ๐˜ณ๐˜ช๐˜ค ๐˜Š๐˜ฐ๐˜ฏ๐˜ฏ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜‘๐˜ฐ๐˜ณ๐˜จ๐˜ฆ ๐˜”. ๐˜—รฉ๐˜ณ๐˜ฆ๐˜ป, curated by Hรฉlio Menezes and on view at the Centro Andaluz de Arte Contemporรกneo in Seville. ๐ŸŒ€

Drawing on the concept of โ€œAmรฉfrica,โ€ articulated by Afro-Brazilian thinker Lรฉlia Gonzalez, the exhibition traces cultural, historical, and spiritual resonances that connect Africa and the Americas across the Atlantic. Mansaโ€™s work enters this powerful dialogue through its evocation of Kalungaโ€”the cosmic and ancestral waters that bind memory, migration, and diasporic identity.
On view February 27, 2026 - January 10, 2027.

ย menezes



kalunga

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