Highsnobiety Design
Paris-based boutique electronic instrument company has unveiled RND (“Random”), a one-button synth developed with creative input from French artist . Housed in a translucent amber enclosure, the square device generates one of 4,294,967,296 musical ideas with each press, combining up to four instruments per patch across eight synthesis engines including subtractive, FM, acid, noise, speech, Karplus-Strong, supersaw and additive synthesis. Each sound is paired with its own unrepeatable rhythmic sequence.
Despite its minimalist design, RND offers four-track audio output over USB-C, four-channel MIDI I/O with nine MIDI modes, analogue sync connections, 20 musical scales and five filter types. Describing the device as “an inspiration machine,” Cyma Forma says its 4.29 billion random seeds translate into 4.29 billion different musical ideas, making it a tool for anyone looking to kickstart a new track, break through creative block or simply explore unexpected sounds.
MK 45 is a unique sculptural bench that can be shaped exactly as desired, circular, flowing, or like a serpentine line through a space. The wooden rings are crafted in oak and connected with a specially developed rubber joint, giving the bench its distinctive flexibility.
Originally developed for the Cabinetmakers’ Autumn Exhibition in 2012, the bench is based on a static design that can be built to any length using modular elements.
Designed by Gert Kjeldtoft and .
A fully custom garage made to fit a Porsche 911.
Would you want your car to be part of your home’s interior design?
Continuing a seven-city tour de force in celebration of their 70th anniversary, made a quick stop in H-Town, where creative, designer, and local legend brought us along for the ride.
For the second “Paint My Ride” takeover, .creates and went head-to-head, transforming a vintage car into a rolling work of art. From the first paint splatter to the final brushstroke, we caught it all through Jorgey’s lens...Carrera lenses, ofc.
Next stop: Chicago, May 23. Tap the link in bio and catch us in the Chi.
In the late 1960s, architect Harry Weese was brought in to design Washington DC’s Metro system. He’s the reason the stations have that iconic Brutalist look, with massive concrete vaults and underground spaces that feel more like cathedrals than subway stops, especially at stations like L’Enfant Plaza. 🚇
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