Front Row

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Painting has never existed in isolation.

With Beyond Form, Camila Barreto extends the language of Latin American abstraction into space, placing her work in direct dialogue with Zaha Hadid’s Elastika at The Moore

Through line, rhythm, and spatial tension, the paintings respond to Hadid’s intervention, allowing form to move beyond the canvas and into the surrounding space.

On view at Front Row

Four works by Mihael Milunović have entered the permanent collection of macLYON, Musée d’art contemporain de Lyon, and have been classified as patrimoine national under French cultural heritage law.

An important institutional milestone, affirming the lasting cultural relevance of his work within one of France’s leading public collections.

What did Art Basel 2026 really reveal?

Not a weaker market. A more disciplined one.

Collectors are becoming more selective, and capital is concentrating around works that can stand the test of time.

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