Veer Visual

We supported OverflowKC () on a project. We can't begin to say how grateful we are to have had the opportunity to work with such a fantastically organized and professional company.

When customers go out of their way to show appreciation for us, we like to put them in the spotlight because it means the world to us.

Our owner, Aaron , supported this project with Digital Imaging services where he worked as the DIT.

The project was only smooth because of the amazing efforts of the entire team involved. The leaders of Overflow go above and beyond the call of duty to make sure all bases are covered and, as Aaron would say.

"They set the standard for service."

Thanks again for the opportunity, and we look forward to working with you again in the future.

We are over the moon with the work completed by our team. DP Charles Lutz () and Photographer/BTS Anthony Monson (.season_) as they took on a cross country (10 City/Town) project with Madden Media () on behalf of the Missouri Highway 36 () Heritage Alliance.

These young men represent our brand as professionals on every project, but they truly stepped up to the plate to take on this project like true leaders.

Thanks, gentlemen, for all your hard work, and we are proud to have you as a member of our team.






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During the month of August, Veer Visual partnered with CVP Productions to support the globally recognized and Award-winning VFX Experts DNEG on a series titled "The Last of Us" which will air on HBO Max at the start of 2023.

With the tremendous support from the KC Film office, the Missouri Motion Media Association (MOMMA), the City of Kansas City, Mo. Government, the Kansas City Missouri Police Department, the National WWI Museum and Memorial, and the staff at the General Services Administration, namely, those in the U.S. General Services Administration Heartland Region at the Richard Bolling Federal Building; we were able to secure 16+ key locations around the Downtown and Cross-Roads District.

Projects like this don't often come to Kansas City because of the lack of support for Film Tax Incentives. Thousands of jobs and potentially hundreds of millions of dollars in revenue are steered to other states for this very reason. We need to support our state and industry representatives when they propose bills for film tax incentives. Networks, Studios, and Streaming Platforms want to shoot here, and we want them here. Help us spread the message that we want to keep film professionals here and not lose them to other cities and states throughout the country.

Like and share this post to raise awareness in support for our representatives to consider upcoming bills that can help develop the film industry and stimulate the economy by directing revenue for products and services provided by local businesses both directly and indirectly connected to this industry.

Contact us to learn more and to get involved.

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We are happy to congratulate Ms. Katharina Greiner on receiving the ARD/ZDF Women and Media Technology Award for her research work. In her master thesis, Katharina presents a workflow for a simultaneous HDR/SDR multi-camera production that utilizes a new approach reliant on metadata-based aperture compensation with the ARRI AMIRA. Using this approach, the brightness of both HDR and SDR images can be adjusted separately. This makes it possible for broadcasters to control both HDR and SDR images without having to compensate for the aperture opening and closing in the aperture-compensated signal. The demonstrator developed specifically for this workflow shows that processing is possible in real time and with a minimal delay.

More info on: https://www.ard-zdf-foerderpreis.de/aktuelles/