Between Pictures
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We create social media, commercials, documentaries, music video, narrative film, and VR 360 videos for agencies, corporations, independent producers, and influencers. We provide equipment, crew, and production services to clients while creating branded content, commercials, music videos, and virtual reality productions.
06/21/2026
Still from The Last Ride with mvisionfilms - We filmed the silhouetted interview at one of the homes on the block. The red curtains behind the subject were blocking two large windows that were facing the street. We then used Arri 650 and 300w fresnels on the background to give the subject separation. Then a Kino Flo was flagged at the top so no spill would get on the subject’s face.
From the streets to the dirt. In the The Last Ride the owners of Cross Road Motorsports sponsors the Philly street riders and gets them onto the dirt tracks outside of the city.
“It’s easy for us of privilege just to say what other people should do, how they should act. Walk a mile in their shoes.”
In this scene, Dirt Bike Rell’s attorney Michael P. Quinn explains how the riders of the streets know “that tomorrow they may not be here.” From The Last Ride with mvisionfilms and DALTON PRICE, SOC - We lit the interior shot with Michael using gelled kino flos with a short throw and Arri fresnels. We had to move some furniture around his office to place our lights because it was a smaller space than depicted in the film.
06/17/2026
Still shots with for The Last Ride - We shot this with a Canon 5D MkII & 7D, using an old tripod slider and tracks on the street from mvisionfilms - The exterior shot’s light was shaped with a circular bounce, silk, and flags. Inside we used two 4ft 2bk kino flo lights with diffusion for the face and hair light, and an arri 300 fresnels to create separation on the background. Graded by Jason Druss
06/14/2026
Getting the story for The Last Ride from every perspective. We were at the Philadelphia Police Department Headquarters with Kevin Bethel, the deputy commissioner discussing his life and the dangers of dirt bike riders on the streets. We lit this shot with several 4ft 2 bank kino flows, diffused with 216, and skirted on each end.
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