The Warehouse
The Warehouse is a project initiated by Howard Rachofsky and Vernon Faulconer to make their collections available to curators, scholars, critics and students, and to open new dialogues about postwar Modern and contemporary art. At the heart of the project is an adapted industrial building on 14105 Inwood Road in Dallas, containing art storage facilities, an extensive library, and 18,000 square fee
07/01/2026
An unexpected presence in the gallery, Diamond Stingilyโs architectural intervention ๐๐ณ๐จ๐ข๐ด๐ฎ๐ด ๐๐ข๐ฑ๐ฑ๐ฆ๐ฏ๐ฆ๐ฅ ๐๐ฆ๐ณ๐ฆ (๐๐ฉ๐ช๐ค๐ข๐จ๐ฐ) blends nostalgia with a dark sense of uncertainty. Inside a closet with an accordion door, stacks of clean towels lay neatly above a motley abundance of baseball bats. The artist has recalled that one of her grandmothers kept both a bowl of candy and a baseball bat by the door to her Chicago apartment. By staging a form of domestic nostalgia that is both tender and tough, Stingilyโs work confronts us with the necessity for communal forms of protection and preservation within communities of color in America.
Diamond Stingilyโs ๐๐ณ๐จ๐ข๐ด๐ฎ๐ด ๐๐ข๐ฑ๐ฑ๐ฆ๐ฏ๐ฆ๐ฅ ๐๐ฆ๐ณ๐ฆ (๐๐ฉ๐ช๐ค๐ข๐จ๐ฐ) is currently on view in ๐๐ฉ๐ข๐ด๐ฆ ๐ข ๐๐ณ๐ฐ๐ฐ๐ฌ๐ฆ๐ฅ ๐๐ฉ๐ข๐ฅ๐ฐ๐ธ: ๐๐ช๐ญ๐ฎ ๐๐ฐ๐ช๐ณ ๐ข๐ด ๐๐ฐ๐ฏ๐ต๐ฆ๐ฎ๐ฑ๐ฐ๐ณ๐ข๐ณ๐บ ๐๐ช๐ณ๐ณ๐ฐ๐ณ, curated by , until July 18, 2026.
โ
Diamond Stingily
๐๐ณ๐จ๐ข๐ด๐ฎ๐ด ๐๐ข๐ฑ๐ฑ๐ฆ๐ฏ๐ฆ๐ฅ ๐๐ฆ๐ณ๐ฆ (๐๐ฉ๐ช๐ค๐ข๐จ๐ฐ), 2024
Closet doors, bats, towels, carpet, shelf, and curtain rod
82 x 32 1/2 x 27 1/2 inches (208.1 x 82.4 x 70 cm)
Hartland & Mackie / Labora Collection
๐ธ: Photography by Todora Photography
Diamond Stingily Greene Naftali Galerie Isabella Bortolozzi
06/23/2026
Now on view: Part 2 of WAREHOUSE 01: ๐ ๐ฐ๐ด๐ฉ๐ช๐ต๐ข๐ฌ๐ข ๐๐ฎ๐ข๐ฏ๐ฐ.
The second installment of The Warehouseโs two-part presentation of Yosh*taka Amanoโs work celebrates the artistโs extraordinary career as an illustrator, animator, and designer, bringing together large-scale paintings and celebrated works inspired by the characters and worlds that have defined his practice.
From anime and fantasy literature to video games, Amanoโs distinctive visual language has shaped generations of storytelling and remains instantly recognizable around the world.
Part 2 of WAREHOUSE 01: ๐ ๐ฐ๐ด๐ฉ๐ช๐ต๐ข๐ฌ๐ข ๐๐ฎ๐ข๐ฏ๐ฐ is on view through July 18, 2026. The Warehouse is open every Saturday from 12 PM to 5 PM. Admission is free.
๐ Click the link in bio to learn more about our exhibitions and register for your visit.
โ
Yosh*taka Amano
๐๐ฐ๐ฏ๐ด๐ต๐ฆ๐ณ๐ด ๐, 2013
Automotive paint on aluminum
59 x 94 1/2 x 4 inches (150 x 240 x 10 cm)
Courtesy of the artist and LOMEX, New York.
Yosh*taka Amano
๐๐ข๐ฏ๐ฅ๐บ ๐๐ช๐ณ๐ญ๐ด ๐๐ฏ๐ช๐ท๐ฆ๐ณ๐ด๐ฆ, 2014
Automotive paint on aluminum
118 1/8 x 177 1/8 x 4 inches (300 x 450 x 10 cm)
Courtesy of the artist and LOMEX, New York.
Yosh*taka Amano
๐๐ฐ๐ฏ๐ด๐ต๐ฆ๐ณ๐ด ๐๐, 2013
Automotive paint on aluminum
59 x 94 1/2 x 4 inches (150 x 240 x 10 cm)
Courtesy of the artist and LOMEX, New York.
ๅคฉ้ ๅๅญ LOMEX *takaamano
๐๐ฉ๐ข๐ด๐ฆ ๐ข ๐๐ณ๐ฐ๐ฐ๐ฌ๐ฆ๐ฅ ๐๐ฉ๐ข๐ฅ๐ฐ๐ธ: ๐๐ช๐ญ๐ฎ ๐๐ฐ๐ช๐ณ ๐ข๐ด ๐๐ฐ๐ฏ๐ต๐ฆ๐ฎ๐ฑ๐ฐ๐ณ๐ข๐ณ๐บ ๐๐ช๐ณ๐ณ๐ฐ๐ณ is on view at The Warehouse through July 18, 2026! In this walkthrough, curator Alexandra Terry (Alexandra Terry) explores some of the key themes that shape the exhibition.
Emerging in the 1940s and 1950s, the femme fatale and detective became defining figures of film noir, embodying the tensions, desires, and anxieties of their time. Their influence continues to resonate across contemporary art, film, and popular culture.
Through works by contemporary artists, ๐๐ฉ๐ข๐ด๐ฆ ๐ข ๐๐ณ๐ฐ๐ฐ๐ฌ๐ฆ๐ฅ ๐๐ฉ๐ข๐ฅ๐ฐ๐ธ examines the enduring legacy of noir and its themes of mystery, seduction, power, and moral ambiguity.
๐ธ: Video by Exploredinary
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