Russian Collection

to reveal a smaller figure of the same sort inside, which has, in turn, another figure inside of it, and so on. The number of nested figures is traditionally at least five, but can be much more, up to several dozen with sufficiently fine craftsmanship. Modern dolls often yield an odd number of figures but this is not an absolute rule; the original Zvyozdochkin set, for instance, had an even number. The form is approximately cylindrical, with a rounded top for the head, tapering toward the bottom, with little or no protruding features; the dolls have no hands (except those that are painted). The figures inside may be of either gender; the smallest, innermost doll is typically a baby lathed from a single small piece of wood (and hence non-opening). The artistry is in the painting of each doll, which can be extremely elaborate. The word "matryoshka" (матрёшка), literally "little matron", is a diminutive form of the Russian female first name "Matryona" (Матрёна). History

The first Russian nested doll set was carved in 1890 by Vasily Zvyozdochkin from a design by Sergey Malyutin, who was a folk crafts painter in the Abramtsevo estate of the Russian industrialist and patron of arts Savva Mamontov. Malyutin's doll set consisted of eight dolls—the outermost was a girl in a traditional dress holding a rooster. The inner dolls were girls and a boy, and the innermost a baby.