The Bare Life Review

the impulse behind the journal’s founding was political, and while we recognize fully its political implications, its focus remains wholly artistic. At The Bare Life Review, we never speak of “giving voice” to our authors, or of “elevating” their work, because we reject any model that locates ownership of the publishing apparatus elsewhere than the space of artistic production. Our editorial staff lives and works within the community of writers we publish, and believes deeply in the worth of its stories. The journal exists not as a platform given to or shared with its authors, but as a project to be built with and by them. This, we believe, is a radical premise: refugee not as outsider granted asylum, but as central figure in a new literary paradigm. The dislocation inherent to the immigrant experience is—increasingly in an era of global climate calamity—fundamental to the human experience. Migration, deracination, estrangement: these will be the universal concerns of the coming generations. Such cultural moments as ours—moments of great trauma, upheaval—are, on a large scale, akin to what we might call the moment of artistic creation: art emergent in the aftermath, in the wake, when the language with which we have previously described the world is no longer adequate to the task, and we must set about creating a new one. The moment when, like Beckett, we feel we can’t go on, and yet we go on. In this respect we might say the refugee moment is the artistic moment: one in which resides the bare kernel of renaissance. Bare Life

The Bare Life Review takes its name from the Italian philosopher Giorgio Agamben, whose work offers indispensable insight into the nature of migration and displacement. 'Bare life’ may be understood as the condition in which exist whole populations, families, and communities evicted from the political imagination, unseen and unrepresented; a condition of statelessness that is, paradoxically, created by the state. The subject whose life is bare, whose humanity is reduced to mere living or mere being, is the modern day refugee and immigrant, a figure whose existence engenders in the same breath both life and death, arrival and departure, inclusion and exclusion, homecoming and exile.