Mean Beef

joe satriani-style "pitch axis" theory experiment jam over my Playwell drum machine/looper 2-in-1 pedal (GTR players - get on Amazon and fu***ng order one already. Makes a more interesting metronome that's independent of your phone or computer, if nothing else, and has a tuner, too, if nothing else)- alternating the tonality of various "G" chords (ie G major, G minor 7, Gminormajor7, G minor7b5, G7b13, G Altered, maybe another), though in reality, when writing/composing, you can play other chords that aren't G as long as you switch the key center to a different tonality of "G chord" you're using that particular key/chord or chords because of)

always super greatful that watch and engage with the youtube versions of these videos and (hopefully) like it enough to subscribe to my channel, it helps *immensely* with algorithm visibility and eventually to monetization for the channel (and hey, you fancy yourself something of a patron of the arts, yeah? doesn't even cost ya a dime, just a minute or two of time)

"Joe Satriani-Style 'Pitch Axis' Experiment Jam 11/1/24" - Austin Lowrance been off-and-on working up the main solo from 's seminal tune "flying in a blue dream" and wanted to try out some satriani-esque phrasing but mo...

'lil guitar lesson I recorded earlier on incorporating various tonalities over a standard "major" 12 bar progression (be it blues, jazz blues, the form as found in rock n' roll music, country music, and more), including how to incorporate my personal favorite "leading" sounds, the half-whole dimished scale and the standard diminished arpeggio.

lemme know if you snjoy it, thinking about starting one of those patreon deals or something. i also teach lessons here locally in atx, message if interested!

Guitar Lesson on Using Major/Minor Pentatonic, Mixolodyian, and Diminished Ideas in a 12 Bar Format In this guitarlesson video, I explain a few ways I like to use major and minor pentatonic scales, the Mixolydian Mode, and even Diminished Scales and Arpeggi...