Wave Farm

From March 19th through 29th, tune in to Wave Farm partner stream “Radio Multe” for 24 hours a day, and overnight from 12am to 3am over the air on WGXC 90.7-FM, for “Non-Stop Lullabies” by Karen Werner.

In fall 2025, Karen Werner created Night Air as part of the contemporary art triennial Bergen Assembly in Bergen, Norway. Night Air was a nightly radio work broadcasting live from Bergen Kunsthall at 10pm for the sixty evenings of the Assembly. Each night a different person, almost all non-professional singers, sang the city of Bergen, Norway, to sleep, their lullabies carried on AM, FM and shortwave signals.

The complete collection of Night Air lullabies will be sent as Non-stop Lullabies from 19-29 March 2026, 24-hours a day on the Wave Farm partner stream, Radio Multe. After the ten days, the stream will be taken down without a trace.

Non-stop Lullabies accompanies a performance organized by the artist Michikazu Matsune called “Soft Collapse (Insomnia for Beginners)“ held at Tanzquartier in Vienna, Austria from 19-21 March as well as a symposium, “Beyond Sleep“ by The Institute of Sleepless Nights.

Tune in online at wavefarm.org/listen, or overnight at 90.7-FM 📻

Tune in this Saturday, March 14th from 3pm to 4pm for a new episode of “Radio Roaming.”

⚪️ Radio Roaming: Real yet imagined places with Hervé Birolini

This episode features three works for radio by French composer Hervé Birolini: Rêverie Vénitiennes aux sons enfouis (2004), Un soir à lesdiguières (2004), and Trame (2007). Each of these works, with their layers and visceral textures, locate the listener in a particular place that is real yet somehow imaginary. Also featured in this episode are excerpts from Birolini’s album Des éclairs (2023), creating bridges from one work to the next.

Tune in Saturday 1/31 at 3pm for a third episode of the Radio Art Hour produced by 2025 Radio Art Research Fellow Luna Galassini.

⚪️ Overnight Dreamform, Canto a la muerte

On this episode of the Radio Art Hour, we’ll listen to radio works spanning five decades, from 1979 to 2022, all originally broadcast on KUNM Albuquerque.

Overnight Dreamform by Marisa Demarco began as a collaborative broadcast in 2020: eight hours of programming from 10 p.m. to 6 a.m. featuring live performances designed to coincide with the distinct phases of an eight hour sleep cycle. Performers for that first edition included musicians Tahnee Udero, Carlos Santistevan, Dylan McLaughlin, Ryan Dennison, Hannah Colton, and Demarco herself. The morning after the broadcast, Demarco invited call-ins from listeners describing their dreams during the broadcast. Those call-in recordings were meant to be included in a 2021 edition of the broadcast, but the pandemic interrupted that plan. Instead, Demarco returned to the experiment in 2022, this time broadcasting the full eight hours as a solo performer, using instruments, voice, and ambient sound collected over her years of work as a radio reporter.

We’ll listen to a new mix of Overnight Dreamform by Demarco that includes those listener call-ins and excerpts from 2020 and 2022’s broadcasts, all condensed into a 32-minute microcosm of the sleep cycle.

Also on this Radio Art Hour, a work first broadcast in 2003 for KUNM’s Aether Fest: Canto a la muerte, a radio poem by Anabella Solano based on the work of bilingual Zapotec poet Irma Pineda; and a duo performance from the 1979 season of the Radio Performance Project: The 54th Light Poem for Ian Tyson, a partially improvised mantra-poem performed by its author Jackson Mac Low and Ned Sublette.

Image: Tahnee Udero performs for Overnight Dreamform, January 4, 2020. Photographed by Hannah Colton. (Jan 04, 2020)