Twos Studio

At a time when most goalkeepers wore dark and forgettable jerseys, Jorge Campos stepped onto the pitch looking like a psychedelic surf poster from Acapulco.

Standing at only 5 foot 7, Campos broke almost every rule of goalkeeping. He constantly charged out of the penalty area,His style became so unusual that FIFA eventually stopped goalkeepers from freely changing into outfield positions during games at the World Cup.

A quick look into the extraordinary poster arts of Bonnie Maclean and the psychedelic graphic design movement of the late 60s.

Is this the best looking Olympic Games of all time?

The visual identity of the 1968 Mexico City Olympic Games reflects a moment where modern design and cultural identity came together at a global scale.

Developed under Mexican architect Pedro Ramírez Vázquez, with Mexican artist and designer Eduardo Terrazas, American graphic designer Lance Wyman, and a team of designers, the project became one of the most talked about visual identities in Olympic history.

Since the 15th century, Iranian bowls and dishes reflect a rich exchange between local craftsmanship and global influence, where artisans infused imported styles with their own motifs and cultural identity.

Inspired by Chinese blue and white porcelain, Iranian makers adapted these elements into a distinct visual language. Dragons, lotus flowers, waves, and distant landscapes appear across their surfaces, reinterpreted through Iranian composition and scale.

Across centuries, their designs evolved into vibrant polychrome compositions, combining blues with greens, reds, and yellows, while maintaining a distinct decorative identity.

Images of works from The Metropolitan Museum of Art