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Eduarda Neves is a professor of contemporary art theory and criticism, an area in which she has published various articles and books. Her research and curatorial activity interweaves the fields of art, philosophy and politics. Since February 2019 she has collaborated on the journal “Contemporânea”. Her most recent books are: O Auto-retrato. Lisboa: Ed. Palimpsesto | Ceaa, 2016 [shortlisted for the

29/12/2024

SINS & CAPITALS
or a certain mist for empty spaces
Artists | Alexandra Costa. Carla Castiajo. Celeste Cerqueira. Manuel Santos Maia. Náhir Capêlo. Nuno Ramalho. Thiago Rocha Pitta. Sérgio Leitão.
Curated by Eduarda Neves
EXHIBITION OPENING
FRIDAY 8th
6:30 PM
TALK
SATURDAY 9th
10:30 AM
The SINS AND CAPITALS, or a certain mist for empty spaces curatorial program, is made up of six exhibitions in international spaces, a site specific exhibition + film screenings in a national space and an editorial project. Based on the work of Caspar David Friedrich — Der Wanderer über dem Nebelmeer — and the premise that space is freedom, critical approaches are called for between the space we inhabit and the exhibition space. Considering the multiplicity of meanings that we can find in the concepts of "space", "mist" and "capital", the project enunciates some philosophical, ethical and political implications that articulate ecology, economy and artistic practice. In this project, physical space is assumed as a determining and operative conceptual tool for the visual and sonic materialization of the works. The in situ proposals, therefore different in each of the six international exhibition spaces, affirm the work and the space as elements that construct each other.

SINS & CAPITALS
or a certain mist for empty spaces

Artists | Alexandra Costa. Carla Castiajo. Celeste Cerqueira. Manuel Santos Maia. Náhir Capêlo. Nuno Ramalho. Thiago Rocha Pitta. Sérgio Leitão.
Curated by Eduarda Neves

EXHIBITION OPENING
FRIDAY 8th
6:30 PM

TALK
SATURDAY 9th
10:30 AM

The SINS AND CAPITALS, or a certain mist for empty spaces curatorial program, is made up of six exhibitions in international spaces, a site specific exhibition + film screenings in a national space and an editorial project. Based on the work of Caspar David Friedrich — Der Wanderer über dem Nebelmeer — and the premise that space is freedom, critical approaches are called for between the space we inhabit and the exhibition space. Considering the multiplicity of meanings that we can find in the concepts of "space", "mist" and "capital", the project enunciates some philosophical, ethical and political implications that articulate ecology, economy and artistic practice. In this project, physical space is assumed as a determining and operative conceptual tool for the visual and sonic materialization of the works. The in situ proposals, therefore different in each of the six international exhibition spaces, affirm the work and the space as elements that construct each other.

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