Time Window

TIME WINDOW’S FINAL FESTIVAL

The sweet nectar of structural funding has ran dry.

But an ending is also a beginning, isn’t it?

Will you join us as we mourn and celebrate?

We need you this weekend 💛

THE END HAS NO END - Time Window’s Final Festival - Next weekend, 07-09 of March - Free Entry + Affordable Drinks. On Saturday you can catch Maria Sartzetaki with Door to Nowhere.

“Door to Nowhere” is an interdisciplinary performance about dreams, combining movement, poetry, and music. It is a journey through various dream worlds, inspired by the dreams of the performers. In this project, we want to create dimensions other than reality or merging with reality, by using imagination and dreams as the main point of departure. By translating concrete dream narratives to abstract, otherworldly environments, we wish to create a mystical experience through movement, light, and sound, in which the audience can drift away from the mundane and enter the ethereal realm of dreams.

THE END HAS NO END - Time Window’s Final Festival - Next weekend, 07-09 of March - Free Entry + Affordable Drinks. On Saturday you can catch Seeking Venus by Aubane Berthommé Martinez.

“Seeking Venus is a still performance and interactive life-drawing session that critically engages with the commodification of marginalized bodies—Southern, female, and working-class bodies. The performer stands motionless, holding a tray with a hollowed center, as the audience faces a moral dilemma: remain passive or add a glass to the tray, increasing the weight and strain. The performance ends when the tray is full or the performer collapses under its burden.

The piece aims to go against the glamorization of poverty and precarity, exposing the physical toll of manual labor while questioning how bodies are objectified and commodified in the cultural field, and in general in labor systems. The audience is invited to engage with the performer not only as a model but also as a subject of vulnerability and endurance. In this intimate space, Seeking Venus explores the tension between empathy, objectification, and the shared responsibility of artistic creation and exploitation, leaving the question of complicity hanging in the air.”