The Ravestijn Gallery

Smash It (2022) by Philippe Braquenier comprises four glass plate negatives — UV printed on safety glass and displayed on brass shelves.
The work reflects Braquenier’s ongoing fascination with the fragility and preservation of information, and how knowledge is stored, shared, and made visible.

Unique pieces.

Part of , Disk 060, Bridge (2024) by Thomas Kuijpers combines a custom archival print with its digital file stored on a floppy disk.
Mounted on dibond and framed in pink hand-stained wood with mirrored inner edges, the work continues Kuijpers’ investigation into how media shapes and reframes reality.

Unique piece.
TK 072

Michael Bailey-Gates’ work invites us into a space where identity, gender, and sexuality are fluid — never static, never fixed.

In Subtitle (4) (2023), the artist continues their exploration of the body as both vulnerable and powerful. Within Bailey-Gates’ world, nudity is not exposure for judgment, but a declaration of agency — a poised presence in a society that often misunderstands what it cannot define.

Printed as an archival pigment print on rag baryta paper and presented in a wooden frame with museum glass, this edition embodies the intimacy, openness, and quiet strength that runs through Bailey-Gates’ practice.

Subtitle (4) is available in an edition of 5 plus 1 artist’s proof.