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Alessandra Visentin

Alessandra Visentin

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‼️And finally @visentincontralto enjoys double presence at the Monteverdi Festival 2026. In keeping with 43rd edition’s theme “Cantami, o Diva” I’ll be on stage with: • L’ Incoronazione di Poppea, the central production of this year’s edition, under the guidance of Paul Agnew leading one of the most renewed ensemble, Les Arts Florissants, founded by William Christie. • alto soloist in the concert “Visioni del Sacro nel barocco Europeo” with Cremona Antiqua Orchestra, Antonio Greco conductor. Music by, Scarlatti, Bach and Handel. See you there! Ale. #monteverdi #festival #lesartsflorissants #philarmoniedeparis #cremona 24/02/2026

‼️And finally @visentincontralto enjoys double presence at the Monteverdi Festival 2026. In keeping with 43rd edition’s theme “Cantami, o Diva” I’ll be on stage with: • L’ Incoronazione di Poppea, the central production of this year’s edition, under the guidance of Paul Agnew leading one of the most renewed ensemble, Les Arts Florissants, founded by William Christie. • alto soloist in the concert “Visioni del Sacro nel barocco Europeo” with Cremona Antiqua Orchestra, Antonio Greco conductor. Music by, Scarlatti, Bach and Handel. See you there! Ale. #monteverdi #festival #lesartsflorissants #philarmoniedeparis #cremona

Watch this story by Alessandra Visentin on Instagram before it disappears. 14/02/2026

Watch this story by Alessandra Visentin on Instagram before it disappears. 12K Followers, 1,017 Following, 233 Posts

‼️On Rai5 this week Wonderful memories, wonderful reviews 🙏 Read below ⤵️ “Special mention to the Musico of Alessandra Visentin” — Connessi all’ Opera “..applause convinced for Riccardo Chailly, but also for Jose Maria Siri, Marcelo Alvarez, Massimo Cavalletti and Alessandra Visentin” — La Repubblica “Alessandra Visentin, excellent in the role of Il Musico” — Beckmesser International “Alessandra Visentin seduces with her singing in the role of Il Musico.” — Res Musica Press “Il Musico of the second act is sung by Alessandra Visentin, an excellent venetian contralto. After the La Scala debut in 2016 in Fanciulla del West, Chailly himself applied her for this role in Manon. Very elegant in her eighteenth-century white dress, she sang with a seductive contraltile tone and her voice soared over that of the shepherdesses who made her choir. A production that, as we see, has been treated in all its aspects.” — Il Trillo “the best of all, for enthralling force of characterization of the character, unmistakability of vocal means and tasty scenic resources, is shown in the end by Carlo Lepore as Geronte, followed by a couple of characters who, for projection in the ungrateful acoustics of the Scala, give a hard time to their superiors: allusion to Marco Ciaponi, as Edmondo, Dance Instructor and Lamplighter and to the full-bodied Musician by Alessandra Visentin.” – www.apemusicale.it #ópera #operasingers #contralto #operahouse #internationalreviews 14/02/2026

‼️On Rai5 this week Wonderful memories, wonderful reviews 🙏 Read below ⤵️ “Special mention to the Musico of Alessandra Visentin” — Connessi all’ Opera “..applause convinced for Riccardo Chailly, but also for Jose Maria Siri, Marcelo Alvarez, Massimo Cavalletti and Alessandra Visentin” — La Repubblica “Alessandra Visentin, excellent in the role of Il Musico” — Beckmesser International “Alessandra Visentin seduces with her singing in the role of Il Musico.” — Res Musica Press “Il Musico of the second act is sung by Alessandra Visentin, an excellent venetian contralto. After the La Scala debut in 2016 in Fanciulla del West, Chailly himself applied her for this role in Manon. Very elegant in her eighteenth-century white dress, she sang with a seductive contraltile tone and her voice soared over that of the shepherdesses who made her choir. A production that, as we see, has been treated in all its aspects.” — Il Trillo “the best of all, for enthralling force of characterization of the character, unmistakability of vocal means and tasty scenic resources, is shown in the end by Carlo Lepore as Geronte, followed by a couple of characters who, for projection in the ungrateful acoustics of the Scala, give a hard time to their superiors: allusion to Marco Ciaponi, as Edmondo, Dance Instructor and Lamplighter and to the full-bodied Musician by Alessandra Visentin.” – www.apemusicale.it #ópera #operasingers #contralto #operahouse #internationalreviews

Goodbye 2025! Wishing you all the best for the New Year, Ale ❤️ 01/01/2026

Goodbye 2025! Wishing you all the best for the New Year, Ale ❤️

20/12/2025

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