Mistaker

Ahead of the new season launch, a recap of last year’s campaign.

The project was conceived to celebrate REF’s 40th anniversary by moving beyond two-dimensionality and an exploration of hyperdimension, imagined as a journey through time shaped by typography and imagery.

Typeface in use is Artex SemiExtended Black by

A series of posters for 2025, spreading across the streets of Rome.

Typeface: Elastik by

romarivista
The magazine unfolds like an imagined city — a space where new directions for Rome’s cultural discourse begin to take shape. Each section becomes a stop along the way, mapping connections and weaving threads throughout the publication. Typography becomes structure: a graphic system that shapes space, movement, and orientation.

Typefaces: Kristall by
Gaisyr by

Some images from the latest campaign we created for the

For the 2025 edition, the visual identity explores spirituality, interpreting jazz as an inner, transcendent journey.
Inspired by the centenary of John Coltrane, the system originates from the prayer he wrote for A Love Supreme.
The text becomes a generative process where typography dissolves into abstract layers — language turning into atmosphere.

Typeface: Elastik by

Lunedì 26 gennaio si è svolto il secondo appuntamento della nuova stagione di “Driven by Mistakes”, la serie di incontri dedicati al design e al valore dell’errore organizzata con
Ospite della serata è stato .dimario independent art director e motion designer, che ci ha raccontato il suo percorso progettuale tra scelte, approccio e ricerca, e di come abitare la noia per rompere gli schemi

“Il punto, è conoscersi: capire il proprio grado di sopportazione, disegnare un perimetro e poi, quando serve, scavalcarlo”.

Se vi siete persi l’incontro potete recuperarlo in versione cartacea nel prossimo numero di
Grazie a e The Hoxton Roma per l’ospitalità e a tutti gli amici che sono passati a trovarci.
Foto di