Liverpool Music Lessons

Believe For It - Cece Winans (SATB Choir play through)
Sheet music available at SheetMusicDirect https://www.sheetmusicdirect.com/se/ID_No/1959581/Product.aspx

Believe For It - Cece Winans (SATB Choir Sheet Music Playthrough) Inspired by CeCe Winans’ extended live version with 69M views, this arrangement brings the energy and emotion of the stage straight to your choir!What’s incl...

This video features a full SATB choir score follow of 'Every Praise' by Hezekiah Walker, arranged for contemporary church, school, and community choirs.

Designed to reflect the drive, energy, and clarity of the original recording, this arrangement is accessible for easy-intermediate choirs while remaining powerful and engaging for worship or performance settings.

About this arrangement:
- SATB choir (Soprano, Alto, Tenor, Bass)
- Clear, singable harmonies suitable for congregational or choir-led worship
- Ideal for rehearsals, services, concerts, and gospel choir performances
- Perfect for learning notes and structure through score-follow viewing

Purchase the full score here (including additional separate piano part):
SheetMusicDirect https://www.sheetmusicdirect.com/se/ID_No/1939640/Product.aspx

https://www.youtube.com/watch?v=G-jrV9sTjrw

Every Praise - Hezekiah Walker (SATB Choir Score follow) This video features a full SATB choir score follow of 'Every Praise' by Hezekiah Walker, arranged for contemporary church, school, and community choirs.Desig...

In the year 1025, a young singer could spend ten years trying to learn the basic chants of the church. If his master died before the training was complete, the melodies were often lost forever.

Music was a ghost that vanished the moment the sound stopped. There was no way to capture a note on paper with precision.

But a Benedictine monk named Guido of Arezzo decided that the silence of the page had to end.

Guido lived in a world where everything was passed down by ear. It was a slow, grueling process that relied entirely on human memory.

He watched his fellow monks struggle for decades just to memorize the liturgy. He saw their frustration. He saw their fatigue. He saw their wasted potential.

Guido began experimenting with a series of lines that could represent specific pitches. Before this, singers used vague squiggles that only suggested if a note went up or down.

He drew four parallel lines on parchment. This was the birth of the staff notation that every musician uses today.

To help his students find the notes, he looked to an ancient hymn. He took the first syllable of each line: Ut, Re, Mi, Fa, Sol, La.

This simple system allowed a singer to see a note they had never heard before and sing it perfectly on the first try.

His invention was so disruptive that his fellow monks at the monastery of Pomposa became jealous. They eventually forced him to leave.

But the word of his discovery reached the Pope in Rome. Pope John XIX was so impressed that he invited Guido to the Vatican to demonstrate the system.

Guido showed the leader of the church that music was no longer a mystery or a secret. It was a science.

By the time he passed away around 1050 AD, the way the Western world experienced sound had changed.

Every symphony, every rock anthem, and every simple lullaby written in the last thousand years owes a debt to this monk.

He gave us the ability to store beauty in a book and share it across centuries.

We no longer rely on memory alone to keep the music alive.

Sources: National Archives / Encyclopedia Britannica