VIP Festival

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05/05/2026

A workshop with .cupido
Photographic Haiku: Autonomy, Intuition, Presence

June 4-7, 2026 in Venice.

Two spots just became available.
A rare chance to join this workshop.

Born on a small Dutch island, Paul Cupido has built a poetic and organic body of work where the human body and nature merge. His images compose a visual exploration of impermanence, shaped by sensory awareness and deep connection to place. His work has been exhibited internationally in museums, galleries and art fairs.

This four-day workshop invites participants to approach photography as a way of entering the present moment. Through breathing, walking, listening and slowing down, each participant develops a personal visual poem of 5 to 11 images, guided by intuition rather than technique.

Registration on veneziaphoto.org.
Link in bio.

Photos from VIP Festival's post 07/03/2026

An immersive workshop with
Seeing by Sensing

Over four days, participants explore street photography as a practice rooted in physical presence and instinct. Through field sessions across Venice, guided editing and individual mentoring, each participant develops a short personal visual narrative shaped by rhythm, observation and responsiveness to what unfolds.

From lively neighbourhoods to quieter corners of the lagoon, Venice becomes an immersive learning environment where movement, attention and timing shape the stories being told.

May 7–10, 2026
Venezia Photo All Year · Venice

Registration is now open.
Link in bio.

06/03/2026

A workshop with
Creative Portrait & Lighting

September 3–6, 2026 · Venezia Photo All Year

Sheffield-born photographer Craig Fleming works primarily between Manchester and London, specialising in portrait, celebrity, fashion, theatre and beauty photography. His clients include The Sunday Times, the Los Angeles Times, The V&A and 20th Century Fox. Alongside his commissioned work, he develops personal projects using medium and large format analogue film.

Registration is now open, places are limited.
Link in bio.

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