Black Spring Graphics Studio

The greatness of Mahmoud Darwish
La grandeur de Mahmoud Darwish
Grandezza di Mahmud Darwish

Depuis la section Interviews:

Étienne Balibar – « Gaza est un événement mondial, qui ne laissera rien inchangé dans nos pensées et dans nos rapports mutuels »

Je crois avec toi que le peuple palestinien « ne meurt pas ». Et pourtant en ce moment nous le voyons tomber en masse. Dans sa mort même, donc, il ne meurt pas, ou pas encore. Que veut dire ce paradoxe ? La réponse idéaliste, morale et non politique, qu’il faut je crois éviter (…) c’est qu’il survit symboliquement, dans une figure de victime absolue, donc par-delà la mort de ses enfants, comme une idée éternelle à laquelle on espère qu’il sera possible de redonner un jour un contenu. La réponse politique, matérialiste, c’est qu’il survit dans sa résistance et dans l’unité de cette résistance, que le génocide même n’arrive pas à briser.

Publié aussi sur le blog de Penser Gaza : entretien de Luca Salza avec Étienne Balibar.

We would like to thank all those who contributed, one by one. Many people helped us, and do not appear in the index. Thank you.
.m.chambers .bocchinfuso .guillemot.7 .ghazali .berger________________ .alqasim.1 .icaro .salem .saudi

📄 The full issue is available for free consultation — link in bio.📖 For the best reading experience, set your PDF viewer to “double-page with cover”.

È stato un lavoro duro… essenzialmente fatto nell’urgenza, di corsa, durante l’estate, caldo, mare… a parlare di un genocidio che si produce sullo stesso mare, sotto lo stesso sole.Come fare solo a pensarlo? Nel fuoco dell’estate… mentre migliaia di gente vive in una tenda e muore per un sì o per un no…Eppure ci siamo messi sotto e abbiamo dedicato questo fascicolo a Mahmoud Darwish, pensando che l’arte e la poesia palestinesi potessero non solo dirci di una storia e una geografia lunghe da difendere come un bene prezioso, di fronte a criminali efferati, ma che potessero anche indicare una via politica per l’emancipazione, impossibile ma ostinata, dentro il massacro.Pratiche della catastrofe.Perché la questione palestinese resta una questione politica.E perché, nonostante non ci sia niente da pensare in un massacro, l’unica cosa che ci resta da fare è pensare (a) Gaza. Ringraziamo tutte e tutti coloro che hanno partecipato, uno ad una. Molt* ci hanno aiutato e non compaiono nell’indice. Grazie.

K – R***e trans-européenne de philosophie et arts K. R***e trans-européenne de philosophie et arts

K. is a trilingual journal, and this issue includes a dedicated contemporary art section titled WORKS. This Instagram post cover image is a photograph by Palestinian Gaza-based photographer AbdulHakim Abu Riash , reframed for the Instagram format. The cover image of the entire issue is Monochrome Resistance, Based on photograph by Hashem el Madani, Saida, 1970, 2025 by Akram Zaatari, whom we thank deeply.

We would like to thank all those who contributed, one by one. Many people helped us and do not appear in the index. Thank you. .m.chambers .bocchinfuso .guillemot.7 .ghazali .berger________________ .alqasim.1 .icaro .salem .saudi

📄 The full issue is available for free consultation — link in bio.📖 For the best reading experience, set your PDF viewer to “double-page with cover”.

Design Museum, Helsinki Designmuseo

My Summer Visits to the Design Museum of Helsinki Design culture. Giovanni Ambrosio pesonal blog. Now that autumn is officially here, I’m reminiscing about the amazing June I spent setting up my office just in front of the Design Museum of Helsinki.

How to depict, how to get a mark of it, how to archive a performance.
Design and photography for contemporary dance piece The Singing of the Sirens, Heli Keskikallio and the working group. The Singing of the Sirens is a performance that brings forth the power of femininity, entangling human voices and dance.

Seireeneissä minua kiehtoo niiden ambivalentti, muuttuvainen ja ristiriitainen olemus. Seireenit ovat äänellisiä olentoja, jotka samaan aikaan ovat runollisia laulajia, suojelijahahmoja, kaikkitietäviä sanoin resitoijia sekä viettelyn ääniä. Ne ovat vuosituhansien ajan laulaneet, soittaneet, lumonneet, itkeneet, suojelleet, mykistäneet ja mykistyneet eri tarinoissa ja mytologioissa”, työryhmän koreografi ja koollekutsuja Heli Keskikallio kertoo.

Seireenien laulu Omapohja-näyttämöllä 4.-12.10. Heli Keskikallio ja työryhmä: Seireenien laulu Heli Keskikallio Esitystaiteen seura

Supported by Kone Foundation Koneen Säätiö | Kone Foundation and the City of Helsinki Helsingin kaupunki – Helsingfors stad – City of Helsinki
Residencies: Saari Residence, Old Mine Residency

The Singing of the Sirens at Omapohja Studio Helsinki - Black Spring Graphics Studio Photography and Design projects blog The Singing of the Sirens at Omapohja Studio Helsinki. Heli Keskikallio. Giovanni Ambrosio commissioned works: art direction, design, photography, video.