Coeval Magazine
29/05/2026
BRINANOVARA’s practice develops through accumulation rather than resolution. Working between painting and photographic translation, the duo constructs images that continuously overwrite themselves, where each gesture becomes residue for the next.
In their ongoing series ‘Searching For Collymore’, the self-portrait dissolves into a shared and unstable entity: a face that exists only through repetition, compression, and loss. Recognition remains partial, constantly slipping between figuration and disappearance.
on the printed Issue 3 of COEVAL Magazine.
Interview by
28/05/2026
‘Almost there’ by part of COEVAL Magazine SS26 the “FRAGILE” Issue 3
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