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Egal Typeface 10/03/2023

Introducing EGAL, the highly sophisticated and premium typeface inspired by the symbol of equality, the equals sign (=). Meticulously crafted with the utmost attention to detail, Egal is the epitome of luxury typography, perfect for elevating any brand's image.
Egal is a contemporary display font inspired by old sans fonts, designed to provide a premium feel to various mediums. It is designed to fit any logo or branding project and supports 85 languages, including Cyrillic. With 397 glyphs, Egal is the perfect choice for anyone looking to add a stylish and sophisticated touch to their project. The word "egal" itself is derived from the French word for "equal", emphasizing the font's intent to provide a sense of balance and harmony to any project.

Egal is available on all Monotype platforms (link in project).

Egal Typeface Graphic Design,Type Design,Typography,Fontlab Studio

Na pragu smo još jednog fonta.

Upoznajte Egal, font koji pripada grupaciji radional sans*.

U okviru izrade prethodnog fonta, Visine FF, bavio sam se rešavanjem standardnih problema sa kojima se susreću savremeni ćirilični fontovi - poput (ali ne isključivo) širokih masnih slova koja u dizajnerskim prelomima izgledaju duplo šire od latinice.

Ali kao što svi dobro znamo, u marketingu su neke reči ( i fraze) bitnije od drugih, pa je svima potreban i jedan primetni dekorativni font, koji će ih plasirati u dominantnoj nekretnini vizuelnog formata.

Dizajneri će znati. Kao i vaše oči.

*Rational serif style is at the opposite end to Humanist letterforms. They have a strong, vertical contrast which varies between thick vertical stems and very thin horizontal lines. The typefaces in this category are less written and more ‘built’. Constant in proportion and structure, serifs are mainly symmetrical, and can also be bracketed.

Fig.b. Most Rational typefaces have a drawn, not written style, but they are still influenced by the pen. A method called ‘expansion’ is applied where stroke weight is determined by the pressure that is used with a pointed pen.Rational serif style is at the opposite end to Humanist letterforms. They have a strong, vertical contrast which varies between thick vertical stems and very thin horizontal lines. The typefaces in this category are less written and more ‘built’. Constant in proportion and structure, serifs are mainly symmetrical, and can also be bracketed.

Fig.b. Most Rational typefaces have a drawn, not written style, but they are still influenced by the pen. A method called ‘expansion’ is applied where stroke weight is determined by the pressure that is used with a pointed pen. 10/02/2023

Na pragu smo još jednog fonta. Upoznajte Egal, font koji pripada grupaciji radional sans*. U okviru izrade prethodnog fonta, Visine FF, bavio sam se rešavanjem standardnih problema sa kojima se susreću savremeni ćirilični fontovi - poput (ali ne isključivo) širokih masnih slova koja u dizajnerskim prelomima izgledaju duplo šire od latinice. Ali kao što svi dobro znamo, u marketingu su neke reči ( i fraze) bitnije od drugih, pa je svima potreban i jedan primetni dekorativni font, koji će ih plasirati u dominantnoj nekretnini vizuelnog formata. Dizajneri će znati. Kao i vaše oči. *Rational serif style is at the opposite end to Humanist letterforms. They have a strong, vertical contrast which varies between thick vertical stems and very thin horizontal lines. The typefaces in this category are less written and more ‘built’. Constant in proportion and structure, serifs are mainly symmetrical, and can also be bracketed. Fig.b. Most Rational typefaces have a drawn, not written style, but they are still influenced by the pen. A method called ‘expansion’ is applied where stroke weight is determined by the pressure that is used with a pointed pen.Rational serif style is at the opposite end to Humanist letterforms. They have a strong, vertical contrast which varies between thick vertical stems and very thin horizontal lines. The typefaces in this category are less written and more ‘built’. Constant in proportion and structure, serifs are mainly symmetrical, and can also be bracketed. Fig.b. Most Rational typefaces have a drawn, not written style, but they are still influenced by the pen. A method called ‘expansion’ is applied where stroke weight is determined by the pressure that is used with a pointed pen.

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