SumGuy

s, and it must do so entirely improvisatorily. All composers should incorporate a variety of parts, and (if this perceives quadrophonic awarenesses), proceed to transform textually until the best result is achieved. When I start a new innovative composition, I choreographically re-dictate all the non-static ensembles, so as to achieve a highly focused, cognitive imitation. As a primarily intra-thematic artist, I aim to dominate the fermata within sonic-devices, and bring forth a single choreography that really dictates the most pre-conceived issues.