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HOT TAKES: EPISODE 7

We sit down with Emily Botelho, sip on some coffee and learn more about Emily, Four Poses Photobooth and her current show here at ROONEY’S.

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Video: .lucas
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In 1972, at the Venice Biennale, Franco Vaccari presented ‘Esposizione in tempo reale n. 4: Lascia su queste pareti una traccia fotografica del tuo passaggio.”

A passport photobooth was placed inside the exhibition, inviting visitors to use it and pin their strip to the wall - gradually forming a collective portrait shaped entirely by those who chose to participate.

By bringing a machine associated with routine identity photos into an art context, Vaccari shifted authorship away from the artist and toward the public. The work evolved day by day, each new strip responding to the last, turning the wall into a living record of those who passed through.

We present this exercise as an homage to Vaccari’s work, and a love letter to our new friends at Rooney’s and the city of Hamilton.

What you see here will grow over the course of the exhibition and will live on as a finished, published piece.

The booth operates as usual, but for the duration of the exhibition participation is free - if you leave a strip behind, email [email protected] and we will refund your session.

Those who take part will receive a copy of the final publication, a record of the work shaped by everyone who contributed.

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