WORLDS END

WORLDS END

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30/10/2022

EYES ON a French architectural marvel known as the "Villa Super" in Cannes is by self-taught architect Jacques Couëlle (1902-96).

He called his style or "landscape houses" and seeks to fit them purposefully into the surrounding terrain. In English we refer to his style as being a part of the "architecture-sculpture" movement, however Couëlle was always on the margins of major movements in Modernist architecture.

In addition to his profound respect for the natural world, he often collaborated with artists in his work- this house featured collaborations with Alexander Calder as well as François Thévenin. The windows, front door and brassworks throughout take inspiration from brambles and other natural forms and were forged by Thévenin. Calder's mobile sculpture activates a natural breezeway that captures gentle breezes from the French Riviera, circulating them throughout the house for natural air conditioning.

The natural landscape was not interfered with to create this house, rather the scape of terrain dictated the form and layout of the house including the curved walls. The elements, weather and unique conditions of the location indicated where he put windows, openings and the gardens.

His unusual method for designing for the client involved putting sand down on the ground and having them mime their daily lives. He would begin with the living room and then build the other rooms as unfolding from this, all the while considering the best aspects of the view.

His plans were constructed in a steel wire maquette at his studio with nary a ruler or right angle in sight. This would then be covered with shotcrete and interpreted by craftsmen and builders to achieve his "anthill-like" houses that resemble rocks set in the landscape.

Sadly, the house is now hideously decorated with cheap Americana and is available to rent, touting celebrity tenants and filming locations to entice visitors to hire it. The grounds seem forlorn and the overall masterpiece has been woefully maintained.

Photo by as seen in Architectural Digest, France ()

07/10/2020

A stunning 1950s drawing by c. 1950s from the Ray Hughes estate for auction next sale.

Photos 26/08/2020

WEBSITE UPDATED
It’s almost as good as Spring cleaning. 🌸🌹🌺🌷
(Conducted from the bed office, bc Coronavirus/hump day mood)

Photos from WORLDS END's post 24/07/2020

LATEST PRODUCTION
Worlds End for Design Tasmania x DENFAIR 2.0 a virtual design event. This booth expo was originally conceived and curated for Denfair’s physical expo in October BUT was brought forward to July and pushed for an entirely online experience. You say jump, and I say how high. We’ve got 10+ highly produced interviews with Tasmanian design talent across 3 locations, plus a 3D tour and multiplatform experiences of the Tasmanian Salon. Curated. Directed. Written. Produced.

Photographer: Emily Dimozantos
Videographer: Joffre Street Productions
Co-curator: Claire Beale @ DENFAIR

Photos 04/08/2018

Detail of Elizabeth Beaumont’s “Still life with Waratahs” coming soon to our inaugural exhibition STABLE AS CHANGE this August.

Photos from WORLDS END's post 04/08/2018

Looking back at I’m realising I was mostly captivated by bathroom art, ceramics and the prurient. Concentric circles of the aforementioned included. @ Hotel Windsor, Melbourne

Photos 04/08/2018

Sam Quinteros thinks Japanese toilet cleaners are angelic. His ode to the throne makers is hung above the ‘pale by comparison’ Australian standard 🚽

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43 Balfour Street
Launceston, TAS