Noistruct

ted by Perth born Antifascist musician Boris Otterdam as a part time solo project in 1998 while a member of Perth noise band Analogue Seaotter and then full time after that band's dissolution in May 2000. From late 2001, Noistruct was a two piece with Perth noise producer Pete-or and then drum bass DJ Da Chronik (Now De La Sensi) before returning to a solo project in around mid 2002 and remaining that way ever since. From 2000 to 2010 he co-ran the Perth live breakcore scene which included running it's first regular night "VOID" (which hosted the first live drum n' bass set for future Pendulum founder Rob Swire which included the first ever performances of Pendulum material later found on their debut "Hold Your Colour") and co-founded influential West Australian breakcore label 8-Bit Recordings with Michael Lucas (Deadcode/ATDT) and Adam Clarke (The Last Ninja/DJ Cyborg Ninja Assassin). Between 2000 and 2003 he helped to grow a small and dedicated underground electronic scene in Perth which frequently overlapped with the Perth drum n bass, noise and IDM scenes that then faced equal struggles for exposure and even more contempt and revulsion from Perth's sneering, cynical, closed minded and elitist Goth Scene. By mid-2003 frustrated with low turnouts, Perth's ignorance and contempt for electronic music in a guitar soaked pre-Drones/Tame Impala rock star wannabe wasteland and inspired by a chance meeting with Toecutter 7 months earlier when he visited friends in Perth, where his tales of Sydney underground parties and the thriving Berlin Digital Hardcore Scene he'd witnessed, inspired Noistruct not to give up. Noistruct then packed it in and moved to Sydney to get further involved and contribute to the Australian Breakcore Scene in May 2003 with nothing more than a bag of clothes and a handful of CDRs. Joining the then growing Sydney breakcore scene, where he met, collaborated and played with warehouse party crews like Killerwatts Sound System (KWS), FHP and System Corrupt as well as hosting the final incarnation of The System Corrupt Radio Show (after original hosts Al Corrupt and Toecutter left) and then started the Illegal Frequencies Radio Show on independent radio station 2serFM. In late 2004 he relocated to Melbourne where he lived for the next 9 years and was well known for playing and organising countless breakcore and hardcore shows as well as hosting radio shows on independent radio station 3RRRFM and promoting other aspects of it's underground electronic music scene with crews like Odd Harmonics, Black Lotus, The Grey Sea (who he more or less was forced to take over and run to avoid it falling apart which is why it did after he left), Gehenna Sound Systems, Crack, Public Disgrace, Sub-Bass, Uncomfort and Enzyme. In 2007 he organised the first ever live show for Epsilon/Dark Organics side project "Patricider" at The Arthouse in Carlton Melbourne after a chance meeting with Bryan DO who told him Epsilon was flying down to work on new material. After relocating back to Perth in 2008, he graduated into interstate and international headline show promotions, beginning with a West Coast Tour for Japanese breakcore producers Maruosa and Volzoy and later various Melbourne breakcore acts. In 2014 after the collapse of a new studio venture and the su***de of his then business partner. He left Melbourne for the very last time and relocated to Brisbane with old friend and Night Terror Recordings founder and prominent Melbourne hardcore contributor Matt Bleak. He then decided to wrap up 8-Bit Recordings after being frustrated at being left to run it alone for the previous 7 years. Before doing so he gathered a pool of financiers and using money he worked in aged care and hospitality with, released a first and final double 12" vinyl compilation for it's original roster and invited some it's Eastern States supporters such as Maladroit, Matt Bleak and Dislasystem to help send it off. With previous attempts relying mostly on padding the tracklist with well known internationals.... It is the first and last 100% all Australian double vinyl breakcore compilation of it's kind and is now sought after in the breakcore scene since selling out of it's only run (As of this writing it's going on Discogs for anywhere between $30 to $120 dollars a copy). He then created a Bandcamp for 8-Bit Recordings to archive the initial CDR releases which he had been asked about re-releasing for years. This archive also included a number of the frequent contributors and colleagues of the then Perth Underground Electronic Scene from between 2000 and 2003. This experience and no longer having a radio show anymore but having amassed a collection of over 5000 CDRs and CD releases from the breakcore and underground electronic scene. Gave him an idea to create a web label and archive to preserve the legacy of this music. ENDE Records is an independent record label/music archive that has since grown and is now a fully operational independent record label with a small staff worldwide and a massive roster of international artists. It's catalogue makes it the largest online collection of underground hardcore/experimental electronic music in Australia with over 400 releases and archived releases in mostly digital but also a few on CD, cassette and vinyl. It has helped release more than 200 artists from new producers to long running legends of underground electronic music with household names. Avoiding the greed, self interest driven agendas, laziness, avarice and "too many cooks" pitfalls of it's most of it's Australian breakcore predecessors (and loudest and most obnoxious vocal critics) in Australia it has become the most hardworking, uncompromising, recognisable and respected label of it's kind. There isn't a single label releasing music similar to it, as dedicated as it (still operational) in this country, which has achieved as much for as long. It literally has no competitors....which is sad really. Considering how long this music has been in Australia and the tireless working class ethic set down by it's founders in Newcastle almost 30 years ago - which despite this country becoming world famous for - became a potential unfulfilled by self indulgent city bred DJ fanciers that followed it and sadly, eventually replaced it. In 2017, disillusioned with the corrupt, dealer takeovers, encroaching apolitical apathy, a decline in labels and releases, a selling out of the original left wing/antifascist/feminist ethics of breakcore and a steady increase in violent behaviour, sexual assaults (one by a Melbourne breakcore promoter being a major catalyst), the rise of new internet driven racism, homophobia, fascism and right wing weasel wording, intimidating rival party promoters and attempts by some members to dominate and control the scene and a clear change in the mindset by the types of people attending shows....Noistruct quit his involvement in the Australian Breakcore Scene after14 years of being one of it's most promiment organisers (alongside a number of other prominent contributors and promoters who left and refused to return). In 2018 after 20 years of self releasing and small independent labels. He joined the roster of US Breakcore/drum n bass label Sonicterror Recordings which is also home to artists like Enduser, Cooh, Redhat and Medium and released his first major split album "Pisslords" with UK Cinemacore producer Erohypnos. This being his first to get major digital distribution on platforms like Spotify, Tidal, Itunes and Beatport. In February 2020 he returned to Western Australia to utilise his personal care/aged care worker experience to take care of his ailing family suffering illnesses after the death of his only brother. During the Covid-19 worldwide lockdowns he became a resident DJ at Digital Gabba Radio (Belgium) playing live and mixing multiple times a week and then organising and running the AFTER MIDNIGHT online podcast festivals for a few months from May to October 2020 - Where he encouraged well known acts and performers such as Phildo Owen and Duane Buford (Ministry/Revolting C***s) to perform DJ sets for the first time ever and Deutsch Nepal to perform live for the first time in years. In August 2020, Noistruct returned to live performances with a breakcore set at Perth’s long running experimental/noise night Noizmachin’s 9th Birthday at The Artifactory in Osborne Park and followed this up in May 2021 with a one off live hip hop set in O'Connor, collaborating with Perth's hip hop underground with MCs like Smithy, Vic The Bitter, Fakta and Harmzway among others. After 17 years of living on Australia's East Coast he now resides in his hometown Perth where he co-organises local shows with friends, runs ENDE Records and continues to produce electronic music and remix for artists around the world. In December 2023 Noistruct will end after a 25 year history of producing, promoting, contributing to and performing hardcore and breakcore around Australia. Beginning with a final ever podcast set for influential and infamous podcast show "Toxic Sickness Radio", followed by a final 12" vinyl release and a few compilations collecting remix packs, a best of his 25 year discography and a complete collection of remixes. This will be followed by a series of remixes for other artists and collaboration albums with Disrrr and Dark Matter Project and the last ever Noistruct album "The Antipath" on ENDE Records and then finally the last ever live performance which will be held in Southwest WA in November 2023.

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MORE INFO

Noistruct is one of the most well known and in some ways "infamous" (thanks to frequent criticism from his former colleagues and collaborators) due to his reputation for a staunchly, uncompromising adherence to the original underground breakcore ethos including a point blank refusal to tolerate fascism, homophobia, racism or misogyny and rejection of trendy "edgy", attention-seeking, shockjock hipster hardcore and inadvertently become the most controversial breakcore producer on the planet...although that was never his original intention and has gained him a quiet respect from many of the original pioneers in breakcore and hardcore and a reputation for unique and innovative contributions to the last bastions of anti-commercial, underground breakcore. He has been active in production, promotion, bookings, radio broadcasting, distribution, art design, label management, web design, short film score production and even compiling and mastering for himself and other hardcore/experimental artists in Australia and overseas since 1998. As well as Noistruct, Boris Otterdam has played in a number of bands including punk, noise, goth, hip hop, industrial, indie rock and grindcore bands in Perth, Sydney and Melbourne and produced various other styles of electronic music under different names such as Notex, Deceased Estate, Teen Laqueefa, Mandark, Holt and Seroquelle to name a few. As of 2019, Noistruct currently plays in Progpunk band "The Day The Music Died" with members of Raygun Mortlock, X-Aspirations, Pineapples From The Dawn Of Time and Hits, KFK with Melbourne based visual and sound artist Karl Ford and Muscl Nerv Preparation with former members of Thou Gideon and Prickle. Collaborators have included Hecate, Soulscientist (RIP), The Last Ninja, Matt Bleak, Travis Doom (RIP), Breakforce One, CDR, Ghostsoul, Erohypnos, Disrrr, Krobatt, Codek, Michael T Roper, Batard Tronique, Angry Teenager, Dada Davros, Crippling Self Doubt, Bloodhivian, The Shredder, Nefarious, Greezus, Krobatt, Pselodux, Refund, Right Track Mind, Karl Ford, De La Sensi and Solypsis. Near misses over the years have included (almost) records on Core-Tex Labs, a now defunct Blue Mountains breakcore label, zod. Records, Sublight Records, Zhark International and a remix alongside Cevin Key, Meat Beat Manifesto, Terminal 11 and JK Broadrick. Show cancellations and Near Misses have included a slot at The Boiler Room at The Big Day Out Festival in Perth in 2002 (regrettable but wasn't interested in getting anywhere through nepotism), Australian supports for Forbidden Society, DJ Hidden and The Producer in 2012 (dodgy as f*ck promoter), being offered (but then pulling out of personally after advice from peers) a slot at Bangface in London in 2018 and a Gold Coast Australian support with US Industrial giants Ministry in 2016. (that would have been fun as well as dangerous). Noistruct has played shows at regular nights, major events, parties, clubs and festivals across Australia such as Club Zho, Noizemachin!, Raised On Static, Guerilla Sessions, Line:Out, Ghetto Electro, Future Shock and The Artrage Festival in Perth, Reclaim The Streets, Soundclash, Syntax Error, F*ckfest and The Difficult Music Festival in Sydney, Disorder, Black Cross, Sub Bass, Crack, Public Disgrace, Gehenna Sound Systems, Uncomfort, The Grey Sea, Stutter, Teratology, Enzyme, Therapy Sessions, Krachmacher and The Distorted Festival in Melbourne. Noistruct has received airplay on DJ playlists, nightclub playlists, mix recordings and radio stations and podcast shows from around Australia and around the world from Japan to Germany to Mexico to the USA and Indonesia. Radio stations in Australia that have played Noistruct include RTRFM (Perth) ,Innercity Radio (Perth), 3RRRFM (Melbourne), PBS (Melbourne), 2RRRFM (Sydney), Inner FM (Melbourne), 4ZZZ (Brisbane), 2serFM (Sydney) and Three D Radio (Adelaide) to name a few I can think of. Noistruct has one album permanently archived in The New Zealand National Music Archive and his entire discography with ENDE Records and 8-Bit Recordings archived permanently at The WA Music Archive at The State Library Of Western Australia. He is recognised as one of the founding members of the Perth Breakcore Scene and a pioneer in the Western Australian Underground Electronic Music Scene and was featured in the Youtube released documentary "Fridey At The Hydey". In 2010 he was referenced in the book "Experimental Music: Audio Experiments in Australia" by Gail Priest for his numerous contributions to the Australian Breakcore Scene. From 2004 he ran the final incarnation of the "System Corrupt" radio show which was then cancelled and then became "Illegal Frequencies" radio show on 2serFM Sydney before moving to 3RRRFM in Melbourne where it remained until it finished in 2013. Noistruct has played with a variety of diverse DJs, bands, producers and acts such as Greg Packer, Stephen Mallinder (Cabaret Voltaire/Acid Horse/Ku-Ling Bros), Whitehouse, Merzbow, Funksturong, Anscenic, Animal Intelligence, Duane Buford and Phildo Owens (Ministry/Revolting C***s), Lux Mammoth, Tomas Ford, Audio Cephlon, Submerged, Deutsch Nepal, Xylocaine, Din-ST, Mark N, Sanfi, 556a, Abortafacient, Converter, Blarke Bayer (My Disco), JMC, Geoff Da Chef, DFO:BAD, Rank Sinatra, Laxenanchaos, Tone Generator (Dom Guerin of SPK), Xian, Chris Cobilis, Lucas Abela, Captain Raveman, Tymon, Dep Affect, Hyperdriver, Dan Hekate, Khost, Low Entropy, The Haters, Arbitrage, Energy Commission, From The Ruins, Dilated Slophole, The Deniros, Maximum Perversion, Schizoid, Eiterherd, Nihil Fist, Oxygenfad, E-De-Cologne, Dysphemic, Zeuge, Maladroit, Cat-Grrl, Fexomat, Cyberstruct, Scorn, Rob Curulli, Enduser, Fraughman, Company F**k, Sean Baxter (RIP), Epsilon, Converter, Torturing Nurse, Agents Of Abhorrence, Guilty Connector, Limewax, Dylan, Istari Lasterfahrer, Black Lung, Mono No Aware, Hedonist, Bombardier, DJ Promo, Patricider, Mega Doll, Ghostsoul, CARTHAGE and Ollie Olsen (Whirlywirld/Max Q), Null Hypothesis, Miles Brown, Matty Skitz (Damaged/King Parrot) to name a few. Noistruct has been remixed and reworked by the likes of Aaron Spectre, Mick Harris (Scorn/Napalm Death), 2nd Gen, Khost, Xylocaine, Kurrupt, Steve Matkzov, Chris Cobilis, Bomb20, Gina V. Dorio, Enduser, Rognvald, Low Entropy, Angie Reed, Souls In Kaos, Bombardier, Submerged, Bioxeed, Company F**k, 4e, Somatic Responses, Producer Snafu, Hellcreator, Hyperdriver, Raxyor, Catdog, Abelcain and Dark Matter Project to name a few.. Noistruct takes influence from the original pioneers of underground hardcore, breakcore, jungle, drum n bass, noise, IDM, trip hop, dark dub and underground techno that pushed boundaries, experimented with techniques and style variation
and leaned towards the darker and uncompromising side of electronic music. Influences include Nailbomb, Christoph De Babalon, Epsilon, Bomb20, Shizuo, DJ Scud, Dark Matter Project, Stunt Rock, Visage, Big Black, Human League, Syndicate, Overcast, Xylocaine, DJ Manson, Crippling Self Doubt, Tricky, Negative Network, Khost, Coil, Throbbing Gristle, SPK, Boards Of Canada, Fever, Cex, Orange Dust, Frontline Assembly, Pselodux, Wh**es, Manifestevil, The Last Ninja, Noize Punishment, Kraftwerk, Desert Storm Breakcore Squad, Din-ST, Quoit, Raygun Mortlock, 3 Past 3, Hyperdriver, Jesu, My Bloody Valentine, Shellac, Zonal, Alec Empire, Frontline Assembly, Syndicate, Converter, Quindoor, CARTHAGE, Parasite, Godflesh, Neurosis, Brujeria, Nasenbluten, Black Lung, Noize Punishment, Tim Dog, White Zombie, Abelcain, Cdatakill, Catdog, Paul Snowden, The S**tlickers, Enduser, Ohmega Sir, Hellfish, Underworld, Portishead, Gil Melle, Cassetteboy, Cocteau Twins, Whitehouse, Merzbow, Geto Boys, Ice Cube, Sonic Youth, Unsane, P***y Galore, R**eman, Datach'i, Daisy Chainsaw, Hammerhead, Fudge Tunnel, The Pimps, Thrones, Godhead Silo, Scorn, Final, Nine Inch Nails, Deadcode, Midget, Budd, Aphex Twin, Solaris BC, Baraki, Picasso Trigger, Public Image Limited, Ministry, Pailhead, Skinny Puppy, Killjoy, The Prodigy, Maladroit, Chemical Brothers, The Melvins, Su***de, Flour, Acid Bath, Closed World Assumption, Cambion, Godflesh, Pitch Shifter, Insurge, Sepultura, Optimum Wound Profile, Dillinja, The Meatmen, Photek, Source Direct, Palace, Meathook Seed, DJ Hidden, Converter, Needle Sharing, Prison R**e Scenes, Current Value, Panacea, EC80R and Tech Itch among others. QUOTES AND PRESS:

"I thought it was fuggin wicked"
- Beardo (The Pimps/The Butchers) June 2001

"I love it! It's got a lot of energy!! Like Su***de!!"
- James Baker (The Victims/The Scientists/Hoodoo Gurus) November 2001

"Not hardcore like you're thinking of....real nosebleed
hardcore"
- Paul Harding (Pendulum) Bubblehead Forum Perth 2001

“It’s like standing in a strange, windswept wasteland of white
noise, where the only inhabitants are vocal samples mutated out
of all recognition. Without warning, a storm rolls in and a
relentless acid rain of breakbeats starts pouring down. The
desert comes to life with thundering basslines, as distorted
snippets of unearthly noise spring up from nowhere… howling for
your blood.”
- Michael McCormack (Online Review) 2002

“fast paced, industrial sound with waves of piercing treble and
subtle house and drum n bass beats”
- WAM Magazine Perth 2002

"With the likes of Passenger Of Sh*t, Dysphemic and Anti-Kati
on the bill. Noistruct's launch for "Deathwish" will be the
noise event of the year”
- 100% Magazine Melbourne 2005

"Boris stayed true to the old school ways and has managed to be
one of the few remaining talents to create layered-break-beat-
core in the said ways. Always able to grind out solid grooves
in half time and double time"
- Anti-Kati (God Rekidz) 2005

"The Noistruct experience is cinematic as you're swung from a
tense moment to a soothing intermission again and again,
keeping your heart pumping with attention-grabbing audio. The
most hardcore producer we've ever come across"
- The Drum Media Perth 2008

"Examples of Australian breakcore include Xian, Cat-Grrl and Noistruct"
- Experimental Music: Audio Explorations in Australia by Gail Priest (2008)

"This is great! Reminds me of old Christoph De Babalon"
- Mark N (Bloody Fist Records/Nasenbluten) on "Popmash Is Dead" August 2010

"Perfect. Breakcore isn’t dead as long as stuff like this
exists. Some people should listen to this before they upload
their clean, uninspired, not pushing formula stuff. Unfortunately just on lathe and i guess never available in
Europe......oh and a perfect release title!"
- Review by Zombieflesheater of the Noistruct 12” “Popmash Is
Dead” from ihatebreakcore dot com forum 2010

“It's listening to awesome sh*t like this that makes me wish
I'd had the cojones to move to Australia in the early noughties
like MC slypussy did.”
- Len K5K (God Rekidz) 2010

“typical Australian Hardcore / Breakcore sound : distorted
Industrial kickdrums, raw breakbeats combining influences from
Hip Hop and Drum’n’bass as well, sick vocal samples and a dark
surrounding atmosphere”
- Remi De Andrade (Chase Records) 2012

“the overall direction for Noistruct is for impact and to pound
the senses”
- Haarp Media Blog 2012

"Wow. You really understood what we were going for and you've
definitely made it work for your own music. This is Great!"
- Scott Putesky (RIP) (Daisy Berkowitz/Marilyn Manson/Three Ton Gate) 2013

"One of the few good ones you can find now in the big pile of
boring copycat stuff"
- Datacide Magazine December 2013

"a brutal dirge of frequent sample loops selected from a
variety of music-types including hip-hop vocals, movie samples,
metal, punk, and programming of dnb/jungle drum patterns to
deliver an apocalyptic wall of sound...
...for those who like their s**t rugged, banging and hard, and
serves a large hunk of beef that may smash most electronic
lover’s dinner plates. If the name of the game is to upset many
with original punk aesthetic and rock out hard without any
regard for what others think, Noistruct has succeeded"
- Cyclic Defrost Magazine July 2013

"Uniq sound, acid choons and overdrived beatz – Noistruct
doesn’t sound like fast jungle that they call “breakcore”
nowadays, and it is still all about amenz and breakbeatz. But
in a way like industrial musician would do with the bunch of
political message. Boris is famous not only for being a breakcore legend in
Australia, but also for sharing his strong opinions on
internet. This dude is on of the few oldskull breakcore
musicians who still keeping it real and don’t afraid to speak
out against popular trends. Same is his music – one big protest
against commercial musical industry. This is deep and scary. Noisy and intricate. A bit on the darkside...Amental like a
lentil. Interesting structures. Some nice flanging on the
percussion. Ghostly sounds swell and depart like tormented
souls screaming from the abyss...Dark and dirty breaks,
relentless and ruthless"
- Annoying Beatz Blog 2014

"A real understanding of narrative (in album construction)"
- David Skiba (Bomb20) 2014

"Industrial wasteland soundscapes...haunting vocals bumping
about...splitting headache breaks...That feeling before your
appendix was removed”
- Magicore Music Blog 2014

"dark as hell Breakcore and glitchy darkstepping head f*ckery
for the discerning listener “
- Neil Lar (Legs Akimbo Records) 2016

"a dark, twisted vision of unapologetic breakcore....screams
old school, and takes no prisoners”
- Breakthecores Blog 2016

"I really enjoyed The Transgressor, but listening to it, made
me worried that maybe you might kill yourself"
- Christoph De Babalon (Digital Hardcore Recordings/Cross Fade
Entertainment/Ghetto Safari) after hearing the album “The
Transgressor” February 2016

“Not so much music to dance to as music to drunkenly
contemplate your hideous, f*cked up wreck of a life to”
- Broken To The Core Blog 2017

"This is intense"
- Enduser (Sonicterror Recordings) 2018

“he's never fully gone (from his studio) for more than 48
hours. This is literally all this guy does”
JTHM - Noistruct Online Fan Discussion 2018

"Bo-ris Otterdaaaammm”
Melt Unit (C**k Rock Disco) - Noistruct Online Fan Discussion
2018

"the sound of waking up to 2018 with no phone, no pants and no
future"
- Erohypnos (Sunhole Records) 2018

"Really interesting. Much more eclectic and thoughtful than
what I was expecting"
- Robyn Chaos (Freak Recordings/Therapy Sessions) 2019

"Unrelenting and unapologetic. Brilliance for those looking for musical depravity"
- Carl Sealey Nic (Sonicterror Recordings) 2019

"This DIY, cut and paste mentality shaped the production of Australian breakcore artists such as Passenger of S**t, Melt Unit, Toecutter and Noistruct"
- Robbie Mason Honisoit Magazine 2020

"But the old-school heads, such as Noistruct and Low Entropy, and the new generation like Kilbourne do not lose sight of themselves in the cacophony of eclectic beats and the absurdity; rather, they find themselves. These artists strive to maintain the countercultural credit of one of the few remaining subgenres of electronic music which has spurned media attention and sustained its pariah status"
- Robbie Mason Pulp Magazine 2021

"Boris Otterdam aka Noistruct is one of the only artists left who still keep the true Breakcore flag flying, without falling prey to Mashed-Up Popcore or endless Drum-n-Bass clone tracks, and also not betraying the anti-authoritarian and anti-fascist roots of this genre"
- Low Entropy (Doomcore Records) 2021

"RAW AF. I love it! (Noistruct) actually inspired me to be raf myself again. Like YO I can make s**t I fu***ng have pleasure in making. Cool as s**t and is a pioneer of breakcore in Australia. His label The Ende Records is dope and he's done the crucial events for the Australian breakcore movement"
- Kurt Gluck (Submerged/Blood Of Heroes/OHM Resistance) 2021

"One of the best Australian breakcore producers around"
- Horse Macgyver (Being Intense Records) 2022

"Everything he does...He does some cool-ass stuff!! I always look forward to what he's going to do next"
- David Livingstone, Musician (God Bullies/Teenage Larvae/The Dragon God) and Studio Engineer (Cows/Hammerhead/Lubricated Goat) 2023

"proper voodle doss style and ting. I don't get asked often to do a remix/remake and if I do get asked and I feel the sounds they are sending me are worth a Harris journey then so be it end of"
- Mick Harris (Scorn/Lull/Quoit/Napalm Death/Monrella) 2021

"A sound that's killer"
- Damian Bennett (CARTHAGE/Khost/16-17/Guage/Deathless/Techno Animal) 2020

https://www.aversionline.com/view/carthage-arclight-track-video-premiere-interview


LABEL AFFILIATIONS PAST AND PRESENT:

SONICTERROR RECORDINGS (USA)
ENDE RECORDS (AU)
PROTOCORE RECORDS (AU)
SPLITENDES (AU)
8-BIT RECORDINGS (AU)
COMARECORDZ (USA)
SEUA DIGITAL (SWE)
ILLNESS SUFFERER (SWE)
HETERODOX RECORDS (USA)
DT7 RECORDS (AU)
GRAYLANDS (AU)
FEED ME GLASS RECORDS (UK)
SICK WEIRD HARD (GER)
PLACENTA RECORDINGS (USA)
BLACK LOTUS (AU)
NETWAV (CHINA)
NULL RECORDINGS (AU)
HIRNTRUST GRIND MEDIA (AUT)
GOULBURN VALLEY POULTRY FANCIERS SOCIETY (AU)
VIRAL CONSPIRACY (IT)
LEGS AKIMBO RECORDS (UK)
NIGHT TERROR RECORDINGS (AU)
GOD REKIDZ (NZ)
MASCULIM LTD (USA)
DIGITAL VOMIT (USA)
CHASE RECORDS (FR)
CIELIRO DIYSTRO (CHILE)
LONG LIVE THE ANIMALS (UK)
CORE COLLECTIVE RECORDS (UK)
THE GREY SEA (AU)
SUNHOLE RECORDS (UK)
BROKEN TO THE CORE RECORDS (UK)
NKS INTERNATIONAL (FR)
ANNOYING BEATZ CREW (SP)
SPEEDCORE WORLDWIDE (GER)
PARIS ZOMBIE NETLABEL (FR)
DEMUS DARK ELECTRONIC MUSIC UNDERGROUND (AU)
SPLATTERKORE RECK-ORDS (UK)
PIMPMELON (AU)
SH*TNOISE NETLABEL
MASSE UND MACHT (GER)
NOISEAPHONIC (GER)
BRAINRAPE REKORDS (USA)
BLOW IN (AU)
UNDERGROUND CORE COLLECTIVE (USA)
THE GOTH CHRONICLES (NL)
SPLITTERKOR REKORDZ DZIWKO!!! (POL)
MOBCORE CHICAGO RECORDS (USA)
ROBOTIK SPEEDCORE KILLERS PRODUCTIONS (HOL)
SKULL DUNGEON (BRZ)
MLEMPFREE (UK)

LINKS:

https://soundcloud.com/if808

https://soundcloud.com/noistruct_mandark

https://noistruct1.bandcamp.com/

https://enderecords.bandcamp.com/

https://hearthis.at/ende-records/

https://hearthis.at/boris-otterdam/

https://www.youtube.com/channel/UCS2v6giGpYlFonVNR8yR6UA

https://www.mixcloud.com/Noistruct_Mandark/