D.E.R. Outpost

D.E.R. Outpost

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Outpost: Kooperation von secure.co.at und D.E.R. DRINK.

>Was ist's?<
Anlaufstelle für DJs, Verkaterte, Vollgas-Hackler, Nachtschwärmer, Warmup-Location...Veranstalter, Kreative,... Im Aussenposten gibt's für fast alles Lösungen. DRINK startete in Wien nobel im 18ten Bezirk. Wo aber Fans und Koop-Partner nicht rauskamen. „Da muss ich ja Straßenbahnfahren!“ Also kein Abenteuerurlaub im 18ten. Währi

RIP Brian Wilson (1942-2025) 
Text and quotes based on his autobiography 
"I Am Brian Wison" p. 168-173

According to Brian, those voices never appeared in his head until he took L*D. 

Passage from the book:

"What made it worse, at least early on, was that the voices in my head that were trying to do away with me were in a crowded space. They were in there with other voices that were trying to make something beautiful. Voices were the problem but also the answer. The answer was in harmony. That’s what I worked on after I came off the road in 1964. There was a period when I tried to make music that captured all those voices. One of the first songs we recorded then was “Do You Wanna Dance?,” a cover of an old Bobby Freeman song. Dennis sang lead vocals on it, and he did a great job—just straight-ahead rock and roll, with guitars and saxophones churning underneath. Then, around thirty seconds into the song, we got to the chorus and the whole thing just exploded. Al came in. Mike came in. Carl came in. I came in. We’re singing high. We’re singing low. We’re weaving around each other and through each other.

Because that’s a dance song, people don’t think of it as a spiritual thing, but it is, because it’s harmony. Our harmonies were always a very spiritual sound, a very beautiful sound. You start with one voice and go a third up and a third up to an octave. All of it is serving this one main melody, and it’s really wonderful. It makes you feel so good, and that’s one of the main jobs of music. Any music that gets to your soul like that is soul music. And it helps to remind you that voices are beautiful instead of dark things that echo in your head. What’s strange with harmonies is that I can hear them very much when I’m in the studio but not very much outside. When I walk into the studio, music happens and the voices stop happening. It’s a kind of magic. I don’t know what kind. But it happens for me mostly in the studio."

Narration and script: @nickakdag 14/06/2025

RIP Brian Wilson (1942-2025) Text and quotes based on his autobiography "I Am Brian Wison" p. 168-173 According to Brian, those voices never appeared in his head until he took L*D. Passage from the book: "What made it worse, at least early on, was that the voices in my head that were trying to do away with me were in a crowded space. They were in there with other voices that were trying to make something beautiful. Voices were the problem but also the answer. The answer was in harmony. That’s what I worked on after I came off the road in 1964. There was a period when I tried to make music that captured all those voices. One of the first songs we recorded then was “Do You Wanna Dance?,” a cover of an old Bobby Freeman song. Dennis sang lead vocals on it, and he did a great job—just straight-ahead rock and roll, with guitars and saxophones churning underneath. Then, around thirty seconds into the song, we got to the chorus and the whole thing just exploded. Al came in. Mike came in. Carl came in. I came in. We’re singing high. We’re singing low. We’re weaving around each other and through each other. Because that’s a dance song, people don’t think of it as a spiritual thing, but it is, because it’s harmony. Our harmonies were always a very spiritual sound, a very beautiful sound. You start with one voice and go a third up and a third up to an octave. All of it is serving this one main melody, and it’s really wonderful. It makes you feel so good, and that’s one of the main jobs of music. Any music that gets to your soul like that is soul music. And it helps to remind you that voices are beautiful instead of dark things that echo in your head. What’s strange with harmonies is that I can hear them very much when I’m in the studio but not very much outside. When I walk into the studio, music happens and the voices stop happening. It’s a kind of magic. I don’t know what kind. But it happens for me mostly in the studio." Narration and script: @nickakdag

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