Sunday Jam

Sunday Jam

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we dance until about 21:30. Usually the beginning is in silence & the second part with music. Sunday Jam is a collective of passionate contact dancers. They are hosting the sunday jam on alternating turns and provide by choice different structures, warmups or scores for the Jam. Every jam has a silent part, and often a part with music.

15/04/2026

Diese Sunday Jam bringt live Musik von van der Woude!

02/04/2026

Das Neue Sunday-Jam Class- Solo & CI Programm!
Wieder abwechselnd Ci und Solo -movement for Jams.
Heute um 16:45 Contact Impro!

15/03/2026

Heutige Stunde widmet sich dem Lehnen, um ins fallen zu kommen, und daraus ins fliegen! 🙂

15/03/2026

Heutige Stunde widmet sich dem Lehnen, um ins fallen zu kommen, und daraus ins fliegen! :)

03/11/2025

A resource: International Jam guidelines and other related topics...

Photos from Sunday Jam's post 18/10/2025

Meet the Sunday Jam hosting team ;)

Photos from Sunday Jam's post 18/10/2025
23/08/2025

In memoriam of Curtis!

Stephanie Maher and Kathleen Hermsdorf (pictured above), along with Jess Curtis, Sara Shelton Mann, Frederike Plafki, Peter Pleyer, Karen Schaffman, and Meg Stuart, gathered at a panel discussion at Tanzfabrik in Berlin in 2007. Learn more in “Contact Improvisation and its Influence on Contemporary Dance Practice” from CQ Vol. 33 No. 2 (Summer/Fall 2008): https://contactquarterly.com/cq/vol-33-no-2

“As Steph’s story illustrated, there is for me a practice in my emotional body or in my chemical
body that’s related to my physics body. A practice of being present with each of those modes and being able to move from territory to territory with more facility. Engaging those chemicals in a rehearsal studio is part of what is consequential and meaningful about performance. When I’m on stage, there is something in that elevated state— Steve Paxton talks in the video Fall After Newton about being adrenalized. I find adrenaline to be pretty sexy, and I find that the tools for being able to negotiate the engagement of those hormonal shifts come out of the practice of Cl as well. The practice of being able to pass that to an audience and bringing it back from the audience is very much rooted in my Contact practice…” –Jess Curtis

Image Description: Stephanie Maher [left] and Kathleen Hermesdorf [right] reach their arms for each other, blurred in motion, dancing in Schwebezustand, Ponderosa Festival 2006. Text over the photo reads “still moving.” Image is in black and white. Photo by Saliq Francis Savage.

Martin Keogh's website | Martin Keogh's website 31/12/2024

A recource for research in C.I.;

Martin Keogh's website | Martin Keogh's website Contact Improvisation… and Life Are you researching Contact Improvisation? The 54 short videos below delve into the heart of our peculiar dance form This RESOURCE is here to support you—if you are a curious newcomer or a seasoned practitioner See below to discover which topics might resonate Cho...

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Mariahilferstrasse 82/Studio 1 (2nd Backyard, 1st Floor)
Vienna
1070

Öffnungszeiten

18:30 - 21:30