Volte Gallery

Among the photograms created by Nalini Malani in 1970 at VIEW, “Untitled I, II, III” show an even more complex
and time-consuming process with incredibly nuanced photographic results. One more level for
attaining tonal subtleties was obtained by “dodging,” a technique Malani learned from her close
friend and an artist Nasreen Mohamedi. From the final photography, a negative was made, and
blown up to make exhibition prints in a limited edition. These photograms represent Malani’s
early engagement for experimenting with new mediums which became a lifelong passion.
On view at Frieze Masters: Spotlight S6
Nalini Malani Untitled I, II and III | Camera-less photography.

Visit us at Volte Gallery | Spotlight, Booth S06 for a Solo Presentation of Early works by Nalini Malani

Nalini Malani’s ‘video shadow plays’ combine video, shadow and sound to tell multiple stories.
In Search of Vanished Blood, 2012-20 is now open to public at Tate Modern, London.
(4th floor, Material and Objects room)