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29/11/2020

Alec Soth (littlebrownmushroom) shares some insights from his online course on how to learn to communicate with people through photography.⁠⠀⁠⠀
In 'Alec Soth: Photographic Storytelling', Magnum's second online course, the photographer demonstrates the different techniques and approaches he uses in his practice.⁠⠀⁠⠀
Follow Alec Soth as he navigates a range of different photographic scenarios, initiated after a random act - a dart thrown at a map.⁠⠀⁠⠀
Tap link in bio to find more about the course, available on Magnum Learn.

Photos 28/11/2020

The Grant Writing Seminar led by editor, writer and grant consultant Holly Hughes (holly_s_hughes) continues today at 5PM London time. There's still a chance to join today's online session and gain access to last weekend's class!⁠⠀⁠⠀
Aimed at both experienced photographers researching new funding opportunities and emerging artists seeking seed money, this webinar provides practical insights on pitching and collaborating with grant-makers today.⁠⠀⁠⠀
Guest speakers include: Magnum photographers moisessaman, oliviarthur and pvanagtmael; Jin Ding of IWMF, photographer and curator Endia Beal, Laura Pressley of CENTER, Noelle Flores Théard of magnumfoundation, and publishing director and senior editor Alexa Dilworth.⁠⠀⁠⠀
This event will take place online via Zoom. ⁠⠀⁠⠀
Visit the link at bio for more information about how to join this online class.⁠⠀⁠⠀
PHOTO: Tamil fishermen in the fishing town of Mullaitivu, north-eastern Sri Lanka. Mullaitivu, Sri Lanka. January, 2018⁠⠀⁠⠀
© moisessaman/ with support from the Pulitzer Center

Photos 27/11/2020

Take part in Magnum Photos' first long-term mentorship geared toward emerging and professional photographers looking to complete a body of work and prepare it for a variety of distribution outlets.⁠⠀⁠⠀
Over seven months, work on your long-term project alongside two world-renowned photographers, alessandra_sanguinetti and gregoryhalpern, as well as guest experts.⁠⠀⁠⠀
Over the course of this mentorship, you will benefit from regular feedback or critique from Sanguinetti and Halpern, receive guidance on your theoretical and aesthetic interests and hear advice on editing and sequencing and participate in networking and marketing opportunities.⁠⠀⁠⠀
At the end of the mentorship in June, you will have the opportunity to pitch the panel, presenting your work to a group of industry experts and receive live feedback.⁠⠀⁠⠀
Visit the link in bio to find more information. ⁠⠀ ⁠⠀
PHOTO: Hydrangeas. Buenos Aires, Argentina. 1999. ⁠⠀⁠⠀
© alessandra_sanguinetti/

Photos 27/11/2020

magnumphotos: Could you tell us about your path into photography, and at what point an interest became a profession?⁠⠀⁠⠀
yaelmtzv: "I discovered that I wanted to become a photographer when I saw the work of Josef Koudelka (josef_koudelka) and W. Eugene Smith (eugenesmithfund). At the time I was just a boy and I had never held a camera. I took my first photographs when I was 17 years old, with a plastic camera that belonged to my sister, which was the only camera that we had in our family. With those photos I tried to make a story and applied to study Visual Arts at a university in Mexico, but I was rejected because I did not have the knowledge or skills to become an artist. I realized that we are not born with these skills, but we can learn them. Art can be taught."⁠⠀⁠⠀
In a Q&A for Magnum, 2020 Magnum nominee Yael Martínez discusses how depictions of dreams and nightmares in his images give voice to experiences of loss amid the fraying of contemporary Mexican society.⁠⠀⁠⠀
Read the full interview at the link in bio.⁠⠀ ⁠⠀
PHOTO: Carla waiting at home in the La Sabana neighborhood. Intervened photography. Acapulco, Guerrero, Mexico. 2020⁠⠀⁠⠀
© yaelmtzv/ ⁠

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