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Photos from Commissioner's post 06/20/2026

“A big part of the process for me is about being present.”

A couple weeks ago, we stepped into the studio of Stephen Arboite (Stephen J. Arboite), the fourth and final commissioned artist of Season Eight. In his generosity, he offered a rare glimpse into the rituals and discipline that nurture his profound relationship with presence.

Every cut and tear in Arboite’s practice serves as a portal—an entry into an underlayer, and, by extension, a new pathway. His exploration of pigments, fire, and coffee invites us to reflect more deeply on each element’s properties and their embedded narratives, as well as to consider our own relationships with materiality and meaning-making.

As we approach the crest of the season, and take in all that is ahead, today we’re celebrating artists and our shared community as the memory keepers, stakeholders, and storytellers of our time and place. The practice is to be present.

Members: See you at the finale! ✨

06/18/2026

In a season defined by world-building and transformation—engaging artists for whom shape-shifting, alchemy, and materiality are core to their process—it’s only fitting that Stephen Arboite is our finale artist.❤️‍🔥

Arboite transforms the surfaces of his works into layered textures, in which fragments of imagery move between what is visible and obscured. Through material experimentation, he examines how memory, spirituality, and identity reveal personal and collective histories embedded in the present.

❤️‍🔥 Season Eight and Nine Members: Can’t wait to share in the surprise of Saturday’s unveiling. There’s so much to celebrate, so many thanks to be given.

Starting now, much love to N'Namdi Contemporary Miami Barbancourt Rum for the support, and to our dedicated team for all the care in bringing this project to life. This thoughtful video portrait was made by Alexa Caravia (Alexa Caravia).🌹

06/09/2026

The Life and Death of Bluegill Prime, a durational play by commissioned artist David Correa, has invited us to reconsider our relationship with production, ownership, labor, and refusal.

In this tender video portrait of Correa by .info, we see how the performance asked us to do more than witness refusal, but to witness one another.

Sincere thank you to the cast of The Life and Death of Bluegill Prime:
Carlos de la Nuez
Abhinav Chatterjee
Filio Galvez
Lucas Snook
Sezenio Calvo

And, overwhelming appreciation for our community partners QUEUE Gallery and Tunnel Projects, and to New World School of the Arts, Mitchell Wolfson Sr Foundation, and YoungArts, for generously supporting the making of this project.

Learn more about the artist’s practice and The Life and Death of Bluegill Prime in the thoughtful essay by Lance Minto-Strouse linked in our bio. 🔗

Grateful for these beautiful humans.

Photos from Commissioner's post 06/04/2026

What if “vagabonding” were a strategy—a fluid approach to engineering escape routes from dominant systems?💃🏿

On May 21, , in community with and , hosted Searching for Collective Memory—an embodied program inspired by Sir Issac Julien’s two-channel installation, Vagabondia (2000), during Third Thursdays at .

With ’s Vagabondia as a guide, we brought urgent questions about stewardship, memory, and erasure to life through guided tours, performance interventions, and conversation.

Nina Osoria Ahmadi, Cecilia Benitez, Darryl Brown, Gabri Christa (mentor), Lisa Kusanagi, Arsimmer McCoy, Nicole Pedraza, and Hattie Mae Williams—all performing artists-in-residence with Pioneer Winter Collective’s 2026 Grass Stains program—responded to public artworks surrounding the Miami Beach museum. Unwittingly flirting with the idea of “vagabond” in their very presence as movement artists, they freely intervened and interrupted guided tours led by practitioners (and conspirators) Lauren Baccus, Lauryn Lawrence, and Veronica Pesantes.

In the panel that followed, photographer and scholar Vanessa Charlot, filmmaker Jason Fitzroy Jeffers, writer Lise Ragbir, and moderator Corey Davis of Maven Leadership Collective interrogated the role of institutions in shaping our historical records.

As the conversation unfolded, we found shared language with the protagonists in Julien’s film and, by extension, the site-specific performances with Grass Stains artists and guides. Moving beyond the margins and in a world of one’s own, there is spaciousness for self-determination, self-actualization, and rest.

🫂 Searching for Collective Memory was made possible through Art Bridges Foundation Access for All Program with The Bass, and with community love from ’s Black Miami Weekend. Grateful for thought-partner Maven Leadership Collective, an ideas lab that cultivates ecosystems of support for q***r and trans innovators and creatives of color and allies.

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