Tomorrow Is Hear
The slow transition to Tomorrow Is Hear is underway. I'm trying out a few sample banners as I reach out to specific artists to see about hiring them to do some custom work for the new site (currently, Sophie Bass via Yazz Ahmed album art, and in the coming days, I'll put up some temp art by the Hubro Music designers and one specific artist who did work for Skirl Records).
I know it's been a while since this was active, but that is finally changing. I'll have a formal post about it on the main site in a couple weeks or maybe sooner.
Cheers.
02/26/2020
Some good information in here. Also provides some insight into how different the requirements can be from blogger to blogger, and site to site. For instance, several of the writers/sites suggest following up often on a review request, whereas I state quite explicitly on my Review Request page NOT to follow up.
Speaking of that, if you're not familiar with it (and you should be), here's where I spell out how to approach my site for a write-up. It'll give you a nice rundown of things you should also probably be doing for most bloggers. https://www.birdistheworm.com/about/
(I'll probably be updating that thing in about a month, so you might want to check back in later)
The Jazz Journalists Survey (2020 Edition) Jazz journalists from around the world give their insight into how they're discovering & writing about jazz and how you can better 'sell' your next album.
02/17/2020
Best of 2019 #03: Matana Roberts - "Coin Coin Chapter 3: Memphis" (on Constellation Records)
Best of 2019 #03: Matana Roberts – “Coin Coin Chapter 4: Memphis” The meeting point of history and mythology is as much collision as it is convergence, and there’s no better musical representation of this dichotomy than the “panoramic sound quilting” of Ma…
02/16/2020
Best of 2019 #04: Haftor Medbøe - "Will of the People" (on Copperfly)
Best of 2019 #04: Haftor Medboe – “Will of the People” In 2019, the recorded output of Haftor Medbøe was incomparable. Different ensembles and different sounds and different environments kept listeners on their toes and their expectations in ch…
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