Postdramatic

Postdramatic

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We aim to publish reviews and articles that are informative and incisive, with a strong grounding in performance theory and practice. Our main interest is in ‘postdramatic’ theatre according to the definition of Hans-Thies Lehmann, but we will discuss all performance work with an awareness of a multitude of critical theories and performance modes. Hopefully we can do this in an unpretentious way, with some honesty and humour.

Someone Else (Hong Kong Version) | Ant Hampton - Postdramatic 15/04/2016

July has written a review of Ant Hampton's piece at West Kowloon - Someone Else (Hong Kong Version):

"Being among the audience in Ant Hampton’s autoteatro piece Someone Else (Hong Kong Version) was a detached experience. For such a particular theatre form that opens up the boundaries between real and staged experience for the audience, there should be more to take away than a smartphone app."

Someone Else (Hong Kong Version) | Ant Hampton - Postdramatic White Rubble on a White Chair Being among the audience in Ant Hampton’s autoteatro piece Someone Else (Hong Kong Version) was a detached experience. For such a particular theatre form that opens up the boundaries between real and staged experience for the audience, there should be more to take away…

Two Gentlemen of Verona (Cue-script) | Salon:Collective 15/01/2016

Some reflections on actor training regarding Shakespeare and Cuescript. For some years The Salon:Collective have been exploring Shakespeare text through scenes without rehearsal, i.e. ‘cue-script’ as a training practice. Led by Lizzie and Dewi Hughes, (the latter also co- running this at Drama Studio) this time round they are attempting the whole Two Gentlemen of Verona, a play about love, lust, friendship, jealousy and favourite plot devices such as characters taking disguise and mistaken identity, and significantly, obscure enough for the cast to have not seen or worked on it before. [ 1308 more words. ]

http://postdramatic.com/two-gentlemen-of-verona-cue-script-saloncollective/

Two Gentlemen of Verona (Cue-script) | Salon:Collective Some reflections on actor training regarding Shakespeare and Cuescript. For some years The Salon:Collective have been exploring Shakespeare text through scenes without rehearsal, i.e. ‘cue-script’ as a training practice. Led by Lizzie and Dewi Hughes, (the latter also co- running this at Drama Studi…

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