ECPM
Le but de cette page est de permettre à tous les abolitionnistes de réfléchir, de travailler, et d'agir ensemble parce que la justice est prioritairement conçue pour maintenir et améliorer la paix sociale pas pour encourager la haine et la vengeance.
17/07/2026
Retour sur le 9e Congrès mondial contre la peine de mort : la culture, une voix pour l’abolition
Durant le Congrès, la Maison de la Radio et de l’Assemblée nationale ont accueilli des expositions et des performances illustrant la diversité des regards engagés contre la peine de mort. Rescapés du couloir de la mort, journalistes ou étudiants, tous ont utilisé l’art pour exprimer leurs souffrances, leurs espoirs et leur combat pour l’abolition universelle.
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Looking Back at the 9th World Congress Against the Death Penalty: Culture as a Voice for Abolition
Throughout the Congress, the Maison de la Radio and the French National Assembly hosted exhibitions and performances showcasing the diversity of artistic engagement against the death penalty. Death row survivors, journalists, and young artists used art to express their suffering, hopes, and commitment to universal abolition.
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📰 In partnership with , the exhibition « Drawing Resistance » used editorial cartoons to denounce the political use of the death penalty.
⛓️ « Arts & Death Row » featured works by former death row prisoner Daniel Gwynn alongside paintings by Tony Egbuna Ford and Kristopher Love, currently on death row in Texas, highlighting the racial inequalities of the U.S. criminal justice system.
⛓️ « Arts & Death Row » featured works by former death row prisoner Daniel Gwynn alongside paintings by Tony Egbuna Ford and Kristopher Love, currently on death row in Texas, highlighting the racial inequalities of the U.S. criminal justice system.
⛓️ « Arts & Death Row » featured works by former death row prisoner Daniel Gwynn alongside paintings by Tony Egbuna Ford and Kristopher Love, currently on death row in Texas, highlighting the racial inequalities of the U.S. criminal justice system.
✏️ The 50 finalist artworks from the « Draw Me Abolition » competition, created by young people aged 12 to 25 from 17 countries, were also on display.
The performing arts extended this commitment through ReVivre, created by Vincent Meurisse and Dorian Vernet, a krump performa
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