Ninth Editions

When I first saw this painting of Laura’s I loved it immediately because of its electric energy. The midnight garden feels alive, like anything is possible with a distinct sense of mischief. Her use of colours and textures add depth to the painting with a richness that reveals new details every time I look. The result is a world that feels familiar yet slightly surreal, where a limitless moon-lit field of flowers might exist.

Laura Dawe
Dolls, 2022
Oil on Canvas/Unframed
30 x 40 inches
$4,200

The Nest Table by !!

Inspiration lately ♾️ endlessly fascinated by creatives and their ingenuity.

1. Surrealist Art & furniture from London home of Pauline Karpidas, decorated by Jacques Grange / via
2. Maison Bordeaux-Le Pecq in Bois Le Roi, France / designed in 1963 by Claude Parent Via - styling by /
3. / via
4. Opéra National de Paris / Photo by Via
5. Via / photography:
6. magazine
7. Woody de Othello: Coming forth by day
8.
9. Margot Table detail - The Veggie Collection via
10. .muka artwork by / via
11. Via
12. Space by .ltd / Via
13. .muka / via
14. .muka photograph .jess.laird styled
15. The Mulvihill Elf. Either ‘JElf’ or ‘Anna’, depending who you ask. Space designed by 🏮

AVAILABLE: Robin Clason - A shape of a cloud I once saw in Marfa, 2025 [Neon/Edition of 9]

SOLD: Callum Schuster - AS.24.10, 2024

I’ll be the first to admit, I feel a certain childlike wonder when artworks have an effect with light. The way they change over time, throughout the day or even seasonally. The immediate impact is striking, and then as you look closer the layers of complexity unfold.

Robin’s use of argon gas in her neon, hand built and blown using a historic technique that requires precision and an incredible level of control. Neon is notoriously difficult to blow, as the glass must be heated and shaped by hand at high temperatures, then meticulously sealed to create a perfectly sterile environment for the gases. To produce light, the artist evacuates all air from the tube, fills it with a noble gas such as neon or argon, and then applies high voltage to energize the gas atoms—causing them to emit vivid colour as their excited electrons release energy as light. The precise ratios of gases, purity, and even minute amounts of mercury or colored glass coatings all alter the final colour and luminosity, making the chemistry behind these radiant works as demanding and intricate as their physical craft. Available at nintheditions.com⚡️

I love this little work for its monochromatic approach and its mix of materials. When I asked Ela about her interest in spiderwebs she spoke of her admiration for its strength and resilience. They’re versatile tools, catching prey, providing a home for eggs, and used as safety lines. A cool fact I didn’t know before was that spiders often eat their own web to recycle the protein for a new one. Art as a tool for new knowledge - a little reminder of nature’s endless ingenuity.

Ela J Ashby
46° N, 60° W, 2025
Moiree with seed beads
8 x 10 inches
Mixed Media Artwork • Unframed
(would look amazing with a colour matched float frame !!)

$315