Jeremy Neideck
Jeremy Neideck is a performance maker who has has worked for almost a decade between Australia and Korea, performing for LATT Children's Theatre and undertaking residencies at The National Art Studio, MODAFE (Modern Dance Festival), Seoul Art Space_Mullae, and the MIZY Center for Cultural Exchange. Jeremy is a prolific sound designer and composer having worked with companies and artists such as Im
27/08/2024
Frontier: Generator 2024 opens tonight at The Edith Spiegeltent at Western Australian Academy of Performing Arts (WAAPA).
So excited to share what I've been cooking up with Younghee Park () and this extraordinary company of Second Year Performance Makers.
For Tickets and more content, check out .ecu
https://www.instagram.com/reel/C_Kty6mP6oR/?igsh=b2tmaWFrbHIxejd2
10/06/2023
"For a while now I have really found a great amount of joy or subversion in trying to model alternative ways to live a good life, even though my life may not be the 'best' life. But, the kind of life I live as a 'confirmed bachelor', or, 'a q***r man of a certain age' that's not a way of settling... That's actually a way to live a fulfilled life."
Listen to my interview with Robert Reid about my Currency House New Platform Paper 'Queer(y)ing the Australian Way of Life'.
New Platform Paper 5 - Jeremy Neideck - Currency House Issue number 5 of New Platform Papers focuses on diversity and inclusion in the Australian Arts. Currency House talks with author, Jeremy Neideck about his paper Queer(y)ing the Australian Way of Life Jeremy Neideck Jeremy Neideck is a performance maker and academic who has worked in Australia and ...
09/10/2021
It was my absolute privilege to present last night on the opening day of the 'Changing Perspectives in Live Performance' conference at Anglia Ruskin University with Katrina Cornwell and Kathryn Kelly.
Our paper looked at 'Us', a new work of what we are calling "Bedroom Spectacle", written by Morgan Rose and directed by Katrina in collaboration with a stunning ensemble of young people and their parents, which debuted earlier this year for St Martins.
It is really exciting to consider what new possibilities are open to theatre makers within this world of the "Digital Window of Opportunity"!
(Our co-authors Morgan Rose, Shane Pike, and Tessa Rixon were with us in spirit.)
https://aru.ac.uk/arts-humanities-and-social-sciences/creative-industries/research/changing-perspectives-in-live-performance
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